And as she said it, he remembered the cinema, and felt his wings again; he was free, uncaged; of course he could go anywhere, everywhere at once almost. He knew himself eternally young. He realised Air, that which is everywhere at once and cannot age. Earth obeys time, grows old, changes, and eventually dies; but air is ever changeless, free of time altogether, unageing. It cannot wear away, it is invisible, omnipresent. The wings of the spirit opened in him, rose into space and light, then flashed, darting after the amazing swallows. 'Wherever I am, I go,' he hummed, as he went softly back along the cold passage and crept cautiously into bed beside his wife, who, heavily breathing still, had not moved since he left her, and lay in ignorance of the sunrise, as also of the army of happy wings that by now were already out of England and far across the sea.

And, later in the day, as he stood with her near a gravel-pit beside the road, watching a colony of busy starlings, she objected: 'What a noise and fuss about nothing! What a nuisance they are, Joe. Do come on, dear. There's really nothing to watch, and I want to get in and change my things in case any callers come.'

He remembered a passage about starlings written by a strenuous big-game hunter, who yet had the air-magic in his blood. He quoted it to her, as best he could, and she said it was pretty:

'Happy birdies! What a bore all morality seems, as one watches them. How tiresome it is to be high in the scale (and human)! Those who would shake off the cobwebs—who are tired of teachings and preachings and heavy-high novellings, who would see things anew, and not mattering, rubbing their eyes and forgetting their dignities, missions, destinies, virtues, and the rest of it—let them come and watch a colony of starlings at work in a gravel-pit.'

'Yes,' he agreed, 'quite pretty. Selous got a glimpse there—didn't he? —but only a glimpse. The great thing is to see it all. He forgot the swallows.'

His thought ran on, fragments becoming audible sometimes. 'It's all one, you see. Stars and starlings are the same one thing, only differently expressed. . . . That's what genius does, of course. Genius has the bird's-eye point of view. . . . It sees analogies everywhere, the underlying unity of everything—sees the similar in the dissimilar. It reduces the Many to the One,' he added in a louder tone, as a Primer came opportunely to his support.

'I ask you, Mother,' he cried with enthusiasm, 'what else is genius but that? I ask you?'

'What?' said Mother, as they went indoors.

[!-- H2 anchor --]

CHAPTER XVIII.