The situation à trois thenceforward became, for Tom, an acutely afflicting one. He found no permanent resting-place for heart or mind. He analysed, asked himself questions without end, but a final decisive judgment evaded him. He wrote letters and tore them up again. He hid himself in Assouan with belief for a companion, he came back and found that companion had been but a masquerader—disbelief. Suspicion grew confirmed into conviction. Vanity persuaded him against the weight of evidence, then left him naked with his facts. He wanted to kill, first others, then himself. He laughed, but the same minute he could have cried. Such complicated tangles of emotion were beyond his solving—it amazed him; such prolonged and incessant torture, so delicately applied—he marvelled that a human heart could bear it without breaking. For the affection and sympathy he felt for his cousin refused to die, while his worship and passion towards an unresponsive woman increasingly consumed him.
He no longer recognised himself, his cousin, Lettice; all three, indeed, were singularly changed. Each duplicated into a double rôle. Towards their former selves he kept his former attitude—of affection, love, belief; towards the usurping selves he felt—he knew not what. Therefore he drifted.… Strange, mysterious, tender, unfathomable Woman! Vain, primitive, self-sufficing, confident Man! In him the masculine tried to reason and analyse to the very end; in her the feminine interpreted intuitively: the male and female attitudes, that is, held true throughout. The Wave swept him forward irresistibly, his very soul, it seemed, went shuffling to find solid ground.…
Meanwhile, however, no one broke the rules—rules that apparently had made themselves: subtle and delicate, it took place mostly out of sight, as it were, inside the heart. Below the mask of ordinary surface-conduct all agreed to wear, the deeper, inevitable intercourse proceeded, a Play within a Play, a tragedy concealed thinly by general consent under the most commonplace comedy imaginable. All acted out their parts, rehearsed, it seemed, of long ago. For, more and more, it came to Tom that the one thing he must never lose, whatever happened, was his trust in her. He must cling to that though it cost him all—trust in her love and truth and constancy. This singular burden seemed laid upon his soul. If he lost that trust and that belief, the Wave could never break, she could never justify that trust and that belief.
This 'enchantment' that tortured him, straining his whole being, was somehow a test indeed of his final worthiness to win her. Somehow, somewhence, he owed her this.… He dared not fail. For if he failed the Wave that should sweep her back into the 'sea' with him would not break—he would merely go on shuffling with his feet to the end of life. Tony and Lettice conquered him till he lay bleeding in the sand; Tom played the rôle of loss—obediently almost; the feeling that they were set in power over him persisted strangely. It dominated, at any rate, the resistance he would otherwise have offered. He must learn to do without her in order that she might in the end be added to him. Thus, and thus alone, could he find himself, and reach the level where she lived. He took his fate from her gentle, merciless hands, well knowing that it had to be. In some marvellous, sweet way the sacrifice would bring her back again at last, but bring her back completed—and to a Tom worthy of her love. The self-centred, confident man in him that deemed itself indispensable must crumble. To find regeneration he must risk destruction.
Events—yet always inner events—moved with such rapidity then that he lost count of time. The barrier never lowered again. He played his ghastly part in silence—always inner silence. Out of sight, below the surface, the deep wordless Play continued. With Tony's return the drama hurried. The actor all had been waiting for came on, and took the centre of the stage, and stayed until the curtain fell—a few weeks, all told, of their short Egyptian winter.
In the crowded rush of action Tom felt the Wave—bend, break, and smash him. At its highest moment he saw the stars, at its lowest the crunch of shifting gravel filled his ears, the mud blinded sight, the rubbish choked his breath. Yet he had seen those distant stars.… Into the mothering sea, as he sank back, the memory of the light went with him. It was a kind of incredible performance, half on earth and half in the air: it rushed with such impetuous momentum.
Amid the intensity of his human emotions, meanwhile, he lost sight of any subtler hints, if indeed they offered: he saw no veiled eastern visions any more, divined no psychic warnings. His agony of blinding pain, alternating with briefest intervals of shining hope when he recovered belief in her and called himself the worst names he could think of—this seething warfare of cruder feelings left no part of him sensitive to the delicate promptings of finer forces, least of all to the tracery of fancied memories. He only gasped for breath—sufficient to keep himself afloat and cry, as he had promised he would cry, even to the bitter end: 'I'll face it… I'll stick it out… I'll trust.…!'
The setting of the Play was perfect; in Egypt alone was its production possible. The brilliant lighting, the fathomless, soft shadows, deep covering of blue by day, clear stars by night, the solemn hills, and the slow, eternal river—all these, against the huge background of the Desert, silent, golden, lonely, formed the adequate and true environment. In no other country, in England least of all, could the presentation have been real. Tony, himself, and Lettice belonged, one and all, it seemed, to Egypt—yet, somehow, not wholly to the Egypt of the tourist hordes and dragoman, and big hotels. The Onlooker in him, who stood aloof and held a watching brief, looked down upon an ancient land unvexed by railways, graciously clothed and coloured gorgeously, mapped burningly mid fiercer passions, eager for life, contemptuous of death. He did not understand, but that it was thus, not otherwise, he knew.…
Her beauty, too, both physical and spiritual, became for him strangely heightened. He shifted between moods of worship that were alternately physical and spiritual. In the former he pictured her with darker colouring, half barbaric, eastern, her slender figure flitting through a grove of palms beyond a river too wide for him to cross; gold bands gleamed upon her arms, bare to the shoulder; he could not reach her; she was with another—it was torturing; she and that other disappeared into the covering shadows.… In the latter, however, there was no unworthy thought, no faintest desire of the blood; he saw her high among the little stars, gazing with tender, pitying eyes upon him, calling softly, praying for him, loving him, yet remote in some spiritual isolation where she must wait until he soared to join her.
Both physically and spiritually, that is, he idealised her—saw her divinely naked. She did not move. She hung there like a star, waiting for him, while he was carried past her, swept along helplessly by a tide, a flood, a wave, though a wave that was somehow rising up to where she dwelt above him.…