During the interval at Assouan—ten days that seemed a month!—he heard occasionally from Lettice. 'To-day I miss you,' one letter opened. Another said: 'We wonder when you will return. We all miss you very much: it's not the same here without you, Tom.' And all were signed 'Your ever loving Lettice.' But if hope for some strange reason refused to die completely, he did not allow himself to be deceived. His task—no easy one—was to transmute emotion into the higher, self-less, ideal love that was now—oh, he knew it well enough—his only hope and safety. In the desolate emptiness of desert that yawned ahead, he saw this single tree that blossomed, and offered shade. Beauty and comfort both were there. He believed in her truth and somehow in her faithfulness as well.
Tom sent his heavy luggage to Port Said, and took the train to Luxor. He had decided to keep his sailing secret. He could mention honestly that he was going to Cairo. He would write a line from there or, better still, from the steamer itself.
And the instinct that led to this decision was sound and wise. The act was not as boyish as it seemed. For he feared a reaction on her part that yet could be momentary only. His leaving so suddenly would be a shock, it might summon the earlier Lettice to the surface, there might be a painful scene for both of them. She would realise, to some extent at any rate, the immediate sense of loss; for she would surely divine that he was going, not to England merely, but out of her life. And she would suffer; she might even try to keep him—the only result being a revival of pain already almost conquered, and of distress for her.
For such reaction, he divined, could not be permanent. The Play was over; it must not, could not be prolonged. He must go out. There must be no lingering when the curtain fell. A curtain that halts in its descent upon the actors endangers the effect of the entire Play.
He wired to Cairo for a room. He wired to her too: 'Arrive to-morrow, en route Cairo. Leave same night.' He braced himself. The strain would be cruelly exacting, but the worst had been lived out already; the jealousy was dead; the new love was established beyond all reach of change. These last few hours should be natural, careless, gay, no hint betraying him, flying no signals of distress. He could just hold out. The strength was in him. And there was time before he caught the evening train for a reply to come: 'All delighted; expect you breakfast. Arranging picnic expedition.—Lettice.'
And that one word 'all' helped him unexpectedly to greater steadiness. It eliminated the personal touch even in a telegram.
In the train he slept but little; the heat was suffocating; there was a Khamsîn blowing and the fine sand crept in everywhere. At Luxor, however, the wind remained so high up that the lower regions of the sky were calm and still. The sand hung in fog-like clouds shrouding the sun, dimming the usual brilliance. But the heat was intense, and the occasional stray puffs of air that touched the creeping Nile or passed along the sweltering street, seemed to issue from the mouth of some vast furnace in the heavens. They dropped, then ceased abruptly; there was no relief in them. The natives sat listlessly in their doorways, the tourists kept their rooms or idled complainingly in the hotel halls and corridors. The ominous touch was everywhere. He felt it in his heart as well—the heart he thought broken beyond repair.
Tom bathed and changed his clothes, then drove down to the shady garden beside the river as of old. He felt the gritty sand between his teeth, it was in his mouth and eyes, it was on his tongue.… He met Lettice without a tremor, astonished at his own coolness and self-control; he watched her beauty as the beauty of a picture, something that was no longer his, yet watched it without envy and, in an odd sense, almost without pain. He loved the fairness of it for itself, for her, and for another who was not himself. Almost he loved their happiness to come—for her sake. Her eyes, too, followed him, he fancied, like a picture's eyes. She looked young and fresh, yet something mysterious in the following eyes. The usual excited happiness was less obvious, he thought, than usual, the mercurial gaiety wholly absent. He fancied a cloud upon her spirit somewhere. He imagined tiny, uncertain signs of questioning distress. He wondered.… This torture of a last uncertainty was also his.
Yet, obviously, she was glad to see him; her welcome was genuine; she came down the drive to meet him, both hands extended. Apparently, too, she was alone, Mrs. Haughstone still asleep, and Tony not yet arrived. It was still early morning.
'Well, and how did you get on without me—all of you?' he asked, adding the last three words with emphasis.