'Yes, isn't it?'

They both became thoughtful then. There fell a pause between them, when Tom broke in abruptly once again:

'But—what do you feel? Because I think he's half in love with you, if you want to know.' He leaned over and whispered in her ear. The words tumbled out as though they were in a hurry. 'It pleases me immensely, Lettice; it makes me feel so proud of you and happy. It'll do him a world of good, too, if he loves a woman like you. You'll teach him something.' She smiled shyly and said, 'I wonder, Tom. Do you really think so? He certainly seems fond of me, but I hadn't thought quite that. You think everybody must fall in love with me.' She pushed him away with a gentle yet impatient pressure of her arm, indicating the Arab coachman with a nod of her head. 'Take care of him, Lettice: he's a dear fellow; don't let him break his heart.'

Tom began to flirt outrageously; his arm crept round her, he leaned over and stole a kiss—and to his amazement she did not try to stop him. She did not seem to notice it. She sat very still—a stone statue in the moonlight.

Then, suddenly, he realised that she had not replied to his question. He promptly repeated it therefore. 'You put me off with what he feels, but I want to know what you feel,' he said with emphasis.

'But, Tom, I'm not putting you off, as you call it—with anything,' and there was a touch of annoyance in her tone and manner.

'Tell me, Lettice; it interests me. You're such a puzzle, d'you know, out here.' His tone unconsciously grew more earnest as he spoke.

Madame Jaretzka broke into a little laugh. 'You boy!' she exclaimed teasingly, 'you're trying to heighten his value so as to increase your own by contrast. The more people you can find in love with me, the more you'll be able to flatter yourself.'

Tom laughed with her, though he did not quite understand. He had never heard her say such a thing before. He accepted the cleverness she gave him credit for, however. 'Of course, and why shouldn't I?' And he was just going to put his original question in another form— had already begun it, in fact—when she interrupted him, putting her hand playfully over his mouth for a second: 'I do think Tony's a happy entertaining sort of man,' she told him, 'even fascinating in a certain kind of way. He's very stimulating to me. And I feel—don't you, Tom?'—a slight change—was it softness?—crept into her tone— 'a sort of beauty in him somewhere?'

'Yes, p'raps I do,' he assented briefly; 'but, I say, Lettice darling, you mischievous Egyptian princess.'