Three More John Silence Stories

by Algernon Blackwood

In reality, I suppose, our party was in no sense singular. In the conventional life at home they certainly seemed ordinary enough, but suddenly, as we passed through these gates of the wilderness, I saw them more sharply than before, with characters stripped of the atmosphere of men and cities. A complete change of setting often furnishes a startlingly new view of people hitherto held for well-known; they present another facet of their personalities. I seemed to see my own party almost as new people—people I had not known properly hitherto, people who would drop all disguises and henceforth reveal themselves as they really were. And each one seemed to say: "Now you will see me as I am. You will see me here in this primitive life of the wilderness without clothes. All my masks and veils I have left behind in the abodes of men. So, look out for surprises!"

The Reverend Timothy Maloney helped me to put up the tents, long practice making the process easy, and while he drove in pegs and tightened ropes, his coat off, his flannel collar flying open without a tie, it was impossible to avoid the conclusion that he was cut out for the life of a pioneer rather than the church. He was fifty years of age, muscular, blue-eyed and hearty, and he took his share of the work, and more, without shirking. The way he handled the axe in cutting down saplings for the tent-poles was a delight to see, and his eye in judging the level was unfailing.

Bullied as a young man into a lucrative family living, he had in turn bullied his mind into some semblance of orthodox beliefs, doing the honours of the little country church with an energy that made one think of a coal-heaver tending china; and it was only in the past few years that he had resigned the living and taken instead to cramming young men for their examinations. This suited him better. It enabled him, too, to indulge his passion for spells of "wild life," and to spend the summer months of most years under canvas in one part of the world or another where he could take his young men with him and combine "reading" with open air.

His wife usually accompanied him, and there was no doubt she enjoyed the trips, for she possessed, though in less degree, the same joy of the wilderness that was his own distinguishing characteristic. The only difference was that while he regarded it as the real life, she regarded it as an interlude. While he camped out with his heart and mind, she played at camping out with her clothes and body. None the less, she made a splendid companion, and to watch her busy cooking dinner over the fire we had built among the stones was to understand that her heart was in the business for the moment and that she was happy even with the detail.

Mrs. Maloney at home, knitting in the sun and believing that the world was made in six days, was one woman; but Mrs. Maloney, standing with bare arms over the smoke of a wood fire under the pine trees, was another; and Peter Sangree, the Canadian pupil, with his pale skin, and his loose, though not ungainly figure, stood beside her in very unfavourable contrast as he scraped potatoes and sliced bacon with slender white fingers that seemed better suited to hold a pen than a knife. She ordered him about like a slave, and he obeyed, too, with willing pleasure, for in spite of his general appearance of debility he was as happy to be in camp as any of them.

But more than any other member of the party, Joan Maloney, the daughter, was the one who seemed a natural and genuine part of the landscape, who belonged to it all just in the same way that the trees and the moss and the grey rocks running out into the water belonged to it. For she was obviously in her right and natural setting, a creature of the wilds, a gipsy in her own home.

To any one with a discerning eye this would have been more or less apparent, but to me, who had known her during all the twenty-two years of her life and was familiar with the ins and outs of her primitive, utterly un-modern type, it was strikingly clear. To see her there made it impossible to imagine her again in civilisation. I lost all recollection of how she looked in a town. The memory somehow evaporated. This slim creature before me, flitting to and fro with the grace of the woodland life, swift, supple, adroit, on her knees blowing the fire, or stirring the frying-pan through a veil of smoke, suddenly seemed the only way I had ever really seen her. Here she was at home; in London she became some one concealed by clothes, an artificial doll overdressed and moving by clockwork, only a portion of her alive. Here she was alive all over.

I forget altogether how she was dressed, just as I forget how any particular tree was dressed, or how the markings ran on any one of the boulders that lay about the Camp. She looked just as wild and natural and untamed as everything else that went to make up the scene, and more than that I cannot say.

Pretty, she was decidedly not. She was thin, skinny, dark-haired, and possessed of great physical strength in the form of endurance. She had, too, something of the force and vigorous purpose of a man, tempestuous sometimes and wild to passionate, frightening her mother, and puzzling her easy-going father with her storms of waywardness, while at the same time she stirred his admiration by her violence. A pagan of the pagans she was besides, and with some haunting suggestion of old-world pagan beauty about her dark face and eyes. Altogether an odd and difficult character, but with a generosity and high courage that made her very lovable.

In town life she always seemed to me to feel cramped, bored, a devil in a cage, in her eyes a hunted expression as though any moment she dreaded to be caught. But up in these spacious solitudes all this disappeared. Away from the limitations that plagued and stung her, she would show at her best, and as I watched her moving about the Camp I repeatedly found myself thinking of a wild creature that had just obtained its freedom and was trying its muscles.