greatest contemporary of, 55;
light comedy, 64;
Webster on, 65;
Dekker compared with, 67, 71,
in humor, 108;
burlesqued by Dekker, 68, 81;
admonitory style in dialogue, 98;
"Venus and Adonis," 136;
obscurity like Marston's, 137, 144;
above Milton, Coleridge, and Shelley, 150;