Sally had told him this morning not to call them together—to just go and do it. But they would have been out in the corridors, waiting. He would have had to brush by them. One touch—one contact of flesh to flesh, and one of them might have tried to prove the mortality he found in Sean Brendan.
"I want you in your homes. I want your doors shut. I want the corridor compartments closed tight." He looked at them, and in spite of the death he saw rising among them like a tide, he could not let it go at that. "I want you to do that," he said in a softer voice than any of them had ever heard from him. "Please."
It was the hint of weakness they needed. He knew that when he gave it to them.
"Sean!" Sally cried.
And the auditorium reverberated to the formless roar that drowned her voice with its cough. They came toward him with their hands high, baying, and Sally clapped her hands to her ears.
Brendan stood, wiped his hand over his eyes, turned, and jumped. He was across the stage in two springs, his toenails gashing the floor, and he spun Sally around with a hand that held its iron clutch on her arm. He swept a row of seats into the feet of the closest ones, and pushed Sally through the side door to the main corridor. He snatched up the welding gun he had left there, and slashed across door and frame with it, but they were barely started in their run toward his office before he heard the hasty weld snap open and the corridor boom with the sound of the rebounding door. Claws clicked and scratched on the floor behind him, and bodies thudded from the far wall, flung by momentum and the weight of the pack behind them. There would be trampled corpses in the auditorium, he knew, in the path between the door and the mob's main body.
Sally tugged at the locked door to the next section of corridor. Brendan turned and played the welder's flame in the distorted faces nearest him. Sally got the door open, and he threw her beyond it. They forced it shut again behind them, and this time his weld was more careful but that was broken, too, before they were through the next compartment, and now there would be people in the parallel corridors, racing to cut them off—racing, and howling. The animals outside must be hearing it ... must be wondering....
He turned the two of them into a side corridor, and did not stop to use the welder. The mob might bypass an open door ... and they would need to be able to get to their homes....
They were running along the dome's inside curve, now, in a section where the dome should have been braced—it hadn't been done—and he cursed Falconer for a spiteful ass while their feet scattered the slimy puddles and they tripped over the concrete forms that had been thrown down carelessly.