It is not unusual for an Indian girl to spend ten or twelve years in such a boarding school. An institution is a poor substitute for a home, but in such cases it must do its best to combine the two. This means that books are almost accessories; school life is the most vital part of education.
To such efforts the Indian girl responds almost incredibly. Whatever her faults—and she has many—she is never bored. Her own background is so narrow that school opens to her a new world of surprise. "Isn't it wonderful!" is the constant reaction to the commonplaces of science. No less wonderful to her is the liberty of thinking and acting for herself that self-government brings.
Seeta loves her home, but before a month is over its close confinement palls and she writes back, "I am living like a Muhammadan woman. I wish it were the last day of vacation." Her father is shocked by her desire to be up and doing. He calls on the school principal and complains, "I don't know what to make of my daughter. Why is she not like her mother? Are not cooking and sewing enough for any woman? Why has she these strange ideas about doing all sorts of things that her mother never wanted to do?" Then the principal tries to explain patiently that new wine cannot be kept in old bottles, and that unless the daughter were to he different from the mother it was hardly worth while to send her for secondary education. So, when the long holiday is over, Seeta returns with a fresh appreciation of what education means in her life; and we know that when her daughters come home for vacation, it will be to a mother with sympathy and understanding.
The girls' loyalty to their school is at times almost pathetic. An American teacher writes, "One moonlight night when I was walking about the grounds talking with some of the oldest girls, one of them caught my hand, and turned me about toward the school, which, even under the magic of the Indian moon, did not seem a particularly beautiful sight to me. 'Amma' (mother), she said, in a voice quivering with emotion, 'See how beautiful our school is! When I stand out here at night and look at it through the trees, it gives me such a feeling here,' and she pressed her hand over her heart.
"'Do you think it is only beautiful at night?' one of the other girls asked indignantly, and all joined in enthusiastic affirmations of its attractions even at high noon,—which all goes to show how relative the matter is. I, with my background of Wellesley lawns and architecture, find our school a hopelessly unsanitary makeshift to be endured patiently for a few years longer, but to these girls with their background of wretchedly poor village homes it is in its bare cleanliness, as well as in its associations, a veritable place of 'sweetness and light.'"
Athletics.
Organized play is one of the gifts that school life brings to India. It, too, has to be learned, for the Indian girl has had no home training in initiative. The family or the caste is the unit and she is a passive member of the group, whose supreme duty is implicit obedience. One Friday when school had just reopened after the Christmas vacation, one of the teachers came to the principal and said, "May we stop all classes this afternoon and let the children play? You see," as she saw remonstrance forthcoming, "it's just because it's been vacation. They say they have been so long at home and there has been no chance to play." Classes were stopped, and all the school played, from the greatest unto the least, until the newly aroused instinct was satisfied.
Basket ball had an interesting history in one school. At first the players were very weak sisters, indeed. The center who was knocked down wept as at a personal affront, and the defeated team also wept to prove their penitence for their defeat. But gradually the team learned to play fair, to take hard knocks, and to cheer the winners. They grew into such "good sports" that when one day an invading cow, aggrieved at being hit in the flank by a flying ball, turned and knocked the goal thrower flat on the ground, the interruption lasted only a few minutes. The prostrate goal-thrower recovered her breath, got over her fright, and, while admiring friends chased the cow to a safe distance, the game went on to the finish.
Dramatics.
The dramatic instinct is strong and the school girl actress shines, whether in the role of Ophelia or Ramayanti. In India among Hindus or Christians, in school or church or village, musical dramas are frequently composed and played and hold unwearied audiences far into the night. Among Christians there is a great fondness for dramatizing Bible narratives. Joseph, Daniel, and the Prodigal Son appear in wonderful Indian settings, "adapted" sometimes almost beyond recognition. They show interesting likeness to the miracle and mystery plays of the Middle Ages. There is the same naive presentation; the same introduction of the buffoon to offset tragedy with comedy; the same tendency to overemphasize the comic parts until all sense of reverence is lost. In some respects India and Mediaeval Europe are not so far apart.