"Father never was one to talk over his business with anybody, even the nearest," she rejoined. "You know that, Hermie. We've got to take folks as we find 'em. Now you go ahead down to the long lot. He'll be wonderin' where you be."
Herman strode away, after one incredulous look at her, a shaft she felt through her downcast lids. It demanded whether father and mother had equally forsaken him, and gave her a quick, sharp pang, and a blinding flash of tears. But she went on mixing cake, and battling arguments as she worked, and when her tin was in the oven, washed her baking dishes methodically and then sat down by the window to read the weekly paper. But as she read, she glanced up, now and then, at the familiar walls of her kitchen, and through the window at the trees just shimmering into green and the skyey intervals over them. This was the pictured landscape she had worked on, framed by these wide, low windows, for all the years she had lived here, doing her wifely duties soberly, and her motherly ones with a hidden and ecstatic buoyancy.
The house, the bit of the world it gave upon, seemed a part of her life, the containing husk of all the fruitage born to her. It was incredible that she was to give it up and undertake not only a heavier load of work but a new scene for it, at a time when she longed to fold her hands and sit musing while young things filled the picture with beautiful dancing motions, and the loves and fears she remembered as a part of the warm reality of it, but not now so intimately her own. It was as if the heaped-up basket of earthly fruits had passed her by, to be given into other hands; but she had eaten and was content, if only she might see the banquet lamps and hear the happy laughter. She began to feel light-headed from the pain of it all, the pleasures and sadnesses of memory, the fear of anticipation, and turned again to her paper with the intent of giving her mind to safe and homely things. But something caught her eyes and held them. A window seemed to be opened before her. She looked through it into her tumultuous past. Or was this a weapon put into her hand for the exacting future?
That night Myron Dill came into the sitting-room after his chores were done, and lay down on the lounge between the two front windows. He composed himself on his back with his hands placidly folded, and there his wife found him when she came in after her own completed list of deeds. He did not look up at her, and she was glad. She did not know how her eyes gleamed behind the glittering plane of their glasses, nor how deep the red was in her cheeks; but she was conscious of an inward tumult which must, she knew, somehow betray itself. For an instant she stood and looked at her husband, in what might have been relenting or anticipation of the road she had to take. She knew so well what mantle of repose was over him: how he liked the peeping of the frogs through the open window, and what measure of satisfaction there was for him in the consciousness of full rest and the certainty that next day would usher in a crowding horde of duties he felt perfectly able to administer. Mrs. Dill was a feminine creature, charged to the full with the love of service and unerring intuition as to the manner of it, and she did love to "see menfolks comfortable."
"Don't you want I should pull your boots off?"
This she said unwillingly, because she was about to break the current of his peace, and it seemed deceitful to offer him an alleviation that would do him no good after all.
"No," said Myron sleepily. "Let 'em be as they are."
Mrs. Dill drew up a chair and sat down in it at his side, as if she were the watcher by a sick-bed or the partner in a cosy conversation.
"Myron," said she. Her voice frightened her. It sounded hoarse and strange, and yet there was very little of it, deserted by her failing breath.
"What say?" he answered from his drowse.