"I said I was sick o' paint an' powder," said Caddie. "Well, so I be, but I'll put flour in my hair so 't's as white as the drifted snow. I've got aunt Hope's gre't horn spe'tacles."
"I guess I could borrer one o' gramma Ellsworth's gounds," said Mrs. Pray. A light rarely seen there had come into her dull eyes. Isabel, with that prescience she had about the minds of people, knew what it meant. Mrs. Pray, though she was contemplating the garb of eld, was unconsciously going back to youth and the joy of playing. "She ain't quite my figger, but I guess 'twill do."
Lydia Vesey gave her a kindly look, yet scathing in its certainty of professional strictures.
"There ain't nobody that ever I see that's anywhere near your figger," she said, in the neighborly ruthlessness that was perfectly understood among them. "But you hand the gound over to me, an' I can fix it."
"Everybody flour their hair," cried Isabel, with the mien of inciting them deliriously.
"Everybody that's got plates, take 'em out," added Martha, the administrative, catching the infection and going a step beyond.
"Why, we can borrer every stitch we want," said Lydia Vesey. "Borrer of the dead an' borrer of the livin'. I know every rag o' clo'es that's been made in this town, last thirty years. There's enough laid away in camphire, of them that's gone, to fit out three-four old ladies' homes."
"It'll be like the resurrection," said Ellen Bayliss, with that little breathless catch in her voice.
"What you mean by that, Ellen?" asked Martha gently.
"I know what she means," said Isabel, while Ellen, the blood running into her cheeks, looked helplessly as if she wished she had not spoken. "She means we're goin' to dress ourselves up in the things of them that's gone, a good many of 'em, an' we can't help takin' on the ways of folks that wore 'em. We can't anyways help glancin' back an' kinder formin' ourselves on old folks we've looked up to. Seems if the dead would walk."