Amanda's heart melted. "You're real good!" she cried, and turned impulsively; but when she faced the white-shirted form at the window, she ejaculated, "Oh, my!" and fled precipitately round the corner of the house.
Side by side, the two took their way across lots again. Amanda was shaking all over, with weariness and emotion spent. Suddenly a strange sound at her side startled her into scrutiny of Caleb's face.
"Why, Caleb Rivers!" she exclaimed, in amazement, "you ain't cryin'?"
"I dunno what I'm doin'," said Caleb, brushing off two big tears with his jumper sleeve, "an' I don't much care. It ain't your harnessin' for yourself an' feedin' the pigs, an' my not comin' Saturday night, but it's seein' you wheelin' that great thing all alone. An' you're so little, 'Mandy! I never thought much o' myself, an' it al'ays seemed kind o' queer you could think anything of me; but I al'ays s'posed you'd let me do the heft o' the work, an' not cast me off!"
"I 'ain't cast you off, Caleb," said Amanda, faintly, and in spite of herself her slender figure turned slightly but still gratefully toward him. And that instant, for the first time in all their lives, Caleb's arms were upholding her, and Amanda had received her crown. Caleb had kissed her.
"Say, 'Mandy," said he, when they parted, an hour later, by the syringa bush at the back door, "the world won't come to an end if you don't iron of a Tuesday. I was thinkin' we could ketch Passon True about ten o'clock better'n we could in the arternoon."
JOINT OWNERS IN SPAIN.
The Old Ladies' Home, much to the sorrow of its inmates, "set back from the road." A long, box-bordered walk led from the great door down to the old turnpike, and thickly bowering lilac-bushes forced the eye to play an unsatisfied hide-and-seek with the view. The sequestered old ladies were quite unreconciled to their leaf-hung outlook; active life was presumably over for them, and all the more did they long to "see the passing" of the little world which had usurped their places. The house itself was very old, a stately, square structure, with pillars on either side of the door, and a fanlight above. It had remained unpainted now for many years, and had softened into a mellow lichen-gray, so harmonious and pleasing in the midst of summer's vital green, that the few artists who ever heard of Tiverton sought it out, to plant umbrella and easel in the garden, and sketch the stately relic; photographers, also, made it one of their accustomed haunts. Of the artists the old ladies disapproved, without a dissenting voice. It seemed a "shaller" proceeding to sit out there in the hot sun for no result save a wash of unreal colors on a white ground, or a few hasty lines indicating no solid reality; but the photographers were their constant delight, and they rejoiced in forming themselves into groups upon, the green, to be "took" and carried away with the house.