They did set the scene, with an exhilaration that played back and forth between them like a heady atmosphere. Charlotte was bidden to make the bed in Old Crow's room and while Raven built the fire, Nan helped Charlotte. And when the pung drove up from the station at the moment Nan had foreseen, she and Raven were sitting before the dining-room fire, apparently deep in talk. Whether Charlotte took her cue from them they did not know, but she was too busy in the back of the house to appear at once, and Mrs. Powell and Dick came in unheralded, turning first to the dining-room. There sat the two, absorbed. The visitors began, on an according note.
"John!" cried Amelia, and "Nan!" Dick cried, in an identical voice. Raven and Nan had the same effect of unison. They laughed, it was so exactly what they had known it would be, and Raven came forward, put his hands on his sister's shoulders, and gave her a little shake.
"Now, Milly," he said, "what the dickens are you up here for?"
Nan, having alienists on her mind, and finding none, was plumping her question at Dick:
"Where's Doctor Brooke?"
Dick evaded it by the self-evident statement that he hadn't come, and ended in a morass of frowning confusion.
Mrs. Powell turned to her with a surprised interrogation, a doubtful warmth. It tried subtly to convey an entire acceptance of her as an individual, combined with disapproval of finding her in the spot she had no excuse for seeking. And while they were exchanging civil commonplaces veiling unspoken implications, Raven was looking at his sister and thinking, in a whimsical terror, what a very large grain of sand she was likely to prove in the machinery of his daily life, and how little she had changed during his absence from America. Here she was, so indomitable in every particular that you could almost believe she was going to be as lasting as the processes that went to her equipment. She had, you learned to know, tackled life as a servant to be governed, an enemy to be downed. If it had antidotes, she would lose no moment in equipping herself with them. If circumstance proved unfriendly, she would ignore it and forge ahead. She was, Raven had always recognized, the feminine replica of his father's special type. As to her looks, she was a thin, whip-like woman, who gave an impression of wiry endurance and serviceable resiliency. You would expect her to be hard to the touch, mental or moral, and yet she could double, evade, rebound. Put her in a hole, and she soon proved to you that its obscurity was the last place where she proposed to stay. She looked the latest thing evolved by the art of man. Her clothes were the prevailing fantastic creation, and yet, on her, they were not illogical. They were the plumage of an eccentric bird hatched to look that way. Her face, in its sandy monotone of color, fitted the art of her wonderful and yet not too noticeable hat, and her gloves and veil were the last word of style. Amelia had begun making herself, Raven used to think, long before God stopped making her. As a girl, she had gone after strange gods of culture and æstheticism, forsaking them, when they toppled, for newer gods still; but always she was undaunted, always persisting in her determined pose of governing the situation and her own attitude toward it. And Amelia, he knew, could hang on like grim death.
"But Nan!" she was exclaiming, "who'd have expected to find you here?"
"Well," said Nan, in the shock of realizing she hadn't quite remembered what Amelia was like, and ranging herself to fight on Rookie's side, "who'd have expected you, Mrs. Powell?"
Dick stood frowning at them impartially and twisting his hat in his hands like a sulky boy.