He asked her, too, for a list of groceries she needed. He would have to wait his turn at the blacksmith's. He might be a long time. She need not expect him before dark. She might as well go out, he told her, and again:
"You're lookin' peaked. You need the air."
She heard him drive briskly out of the yard, but she would not, for some reason she did not herself know, go to the window to look after him. It was all a plan, she told herself. She was not to be taken in by it. She would force herself to sit down to her sewing. She would not leave the house while he was gone. If he wanted to tempt her out, to trap her, let him have his will. It was better, she thought, with a moment's satirical comment, for him to be driving off on a fictitious mission than roaming the neighborhood with a gun in his hand. She glanced involuntarily at the corner where the gun had stood not many minutes before he left the house. It was gone. Then she knew. She threw down her work, went to the telephone, and called Raven. He was there, and she felt her heart answer wildly when, at her first word, he broke in:
"Is it you?" Not her name, only the intimacy of the significant word. "The hut?" he added.
"Up there," said Tira, breathless. "Both of you. I've got to see you both. Come quick."
She got her cloak and threw it down again, remembering it was what she was used to wearing and that Tenney would most certainly recognize her outline in it, even though a long way off. Grandmother Tenney's black blanket shawl was in the parlor chest of drawers, that and her hood, disfiguring ancientry of dress. She ran into the parlor, snatched them out, tied on the black knitted hood and, not unfolding the shawl, wrapped it about her shoulders. The baby was in his cradle, and she gave him one glance. If he waked, he would cry. Let him cry. But she did lock the door behind her, and put the key on the sill, a place Tenney would know. Half way down the path, she went back, took the key again and dropped it into her apron pocket. Tenney might come, but he should not go into the house and find the child alone. Lest he should come the way he went, she took the back road, and there, when she was about to turn into the wood road, she heard sleigh-bells behind her, the horse going, as her ear told her, "step and step." But she was actually on the wood road when the driver whipped up and the bells came clashingly. She did not turn to look. It was not Tenney. She would have known his bells. The horse drew up, the driver called to him a peremptory and jovial word, and she knew the voice. It was Eugene Martin's, and instinct told her to stop and face him. He stepped out of the sleigh and threw the robe, with a quick motion, over the horse. Then he came on to her, smiling, effusively cordial, and Tira waited. A pace away he took off his hat and made her an exaggerated bow. He was carefully dressed, but then he was always that, according to his lights. Only Tira, who knew him so well, all his vain schemes of personal fitness, judged this to be a day of especial preparation. For what? He took the step between them and put out both hands.
"If this ain't luck!" he beamed. "How are you, girl? I made up my mind I'd see you, but I hadn't an idea you'd be on the road."
Tira rolled her hands in her apron, as if they were cold. His extended hands she did not seem to see.
"I ain't waitin' for you," she said quietly, her eyes on his. "You better go right straight along about your business an' leave me to mine."
"I ain't done right, Tira," said Martin, with the specious warmth she knew. "I did try to git you in bad with Tenney, but don't you know what that sprung from? I'm jealous as the devil. Don't you know I be?"