"He's come," she said.

The colonel got up and Virgil slid to the floor.

"Where is he?" he called, in a sharp voice. It was a voice touched with age and apprehension. The girls hadn't known how old a man he was until they heard him calling for his son. Jeffrey heard it and came in with a few long steps, and his father met him at the door. To the two girls Jeff seemed astonished at the emotion he was awakening. How could he be, they wondered, when this instant of his release had been so terrible and so beautiful for a long time? The tears came rushing to their eyes, as they saw Farvie. He had laid aside all his gentle restraint, and put his shaking hands on Jeffrey's shoulders. And then he called him by the name he had been saying over in his heart for these last lean years:

"My son! my son!"

If they had kissed, Lydia would not have been surprised. But the two men looked at each other, the colonel took down his hands, and Jeffrey drew forward a chair for him.

"Sit down a minute," he said, quite gently, and then the girls knew that he really had been moved, though he hadn't shown it, and, ready to seize upon anything to love in him, they decided they loved his voice. When they had got away out of the room and stood close together in the dining-room, as if he were a calamity to be fled from, that was the only thing they could think of to break their silence.

"He's got a lovely voice," said Anne, and Lydia answered chokingly:

"Yes."

"Do you think he sings?" Anne pursued, more, Lydia knew, to loosen the tension than anything. "Farvie never told us that."

But Lydia couldn't answer any more, and then they both became aware that Mary Nellen had hurried out some supper from the pantry and put quite an array of candles on the table. She had then disappeared. Mary Nellen had great delicacy of feeling. Anne began to light the candles, and Lydia went back to the library. The colonel and Jeffrey were sitting there like two men with nothing in particular to say, but, because they happened to be in the same room, exchanging commonplaces.