"I can't help it," said Lydia. "What does he want to act so for? Why does he talk about such places, as if anybody could be in them?"

"Prisons?"

"Yes. And talking about going West as if Farvie hadn't just lived to get him back. And about her as if she wasn't any different from what he expected and you couldn't ask her to be anything else."

"But she's his wife," said Anne gently. "I suppose he loves her. Let's hope he does."

"You can, if you want to," said Lydia, with a wet handkerchief making another renovating attack on her face. "I sha'n't. She's a horrid woman."

They parted then, for their household deeds, but all through the morning Lydia had a fire of curiosity burning in her to know what Jeff was doing. He ought, she knew, to be sitting by Farvie, keeping him company, in a passionate way, to make up for the years. The years seemed sometimes like a colossal mistake in nature that everybody had got to make up for—make up to everybody else. Certainly she and Anne and Farvie had got to make up to the innocent Jeff. And equally they had all got to make up to Farvie. But going once noiselessly through the hall, she glanced in and saw the colonel sitting alone by the window, Mary Nellen's Virgil in his hand. He was well back from the glass, and Lydia guessed that it was because he wanted to command the orchard and not himself be seen. She ran up to her own room and also looked. There he was, Jeff, striding round in the shadow of the brick wall, walking like a man with so many laps to do before night. Sometimes he squared his shoulders and walked hard, but as if he knew he was going to get there—the mysterious place for which he was bound. Sometimes his shoulders sagged, and he had to drive himself. Lydia felt, in her throat, the aching misery of youth and wondered if she had got to cry again, and if this hateful, wholly unsatisfactory creature was going to keep her crying. As she watched, he stopped, and then crossed the orchard green directly toward her. She stood still, looking down on him fascinated, her breath trembling, as if he might glance up and ask her what business she had staring down there, spying on him while he did those mysterious laps he was condemned to, to make up perhaps for the steps he had not taken on free ground in all the years.

"Got a spade?" she heard him call.

"Yes." It was Anne's voice. "Here it is."

"Why, it's new," Lydia heard him say.

He was under her window now, and she could not see him without putting her head over the sill.