The concert for which the Unique Orchestra had been making night hideous for two weeks had just come to a successful close, and the editor found himself at a late hour tramping out the lonely road that led to the office with the prospect of a couple of hours’ work to [p240] do before he could seek a well-earned rest upon the office bench.
He was flushed with his double triumph as director and cornet soloist, and still thrilled by the mighty notes he had breathed into his beloved instrument.
The violin sobs, the flute complains, the drum insists, but the cornet brags, and Mr. Opp found it the instrument through which he could best express himself.
It was midnight, and the moon, one moment shining brightly and the next lost behind a flying cloud, sent all sorts of queer shadows scurrying among the trees. Mr. Opp thought once that he saw the figure of a man appear and disappear in the road before him, but he was so engrossed in joyful anticipation of the morrow that he gave the incident no attention. As he was passing the Gusty house, he was rudely plunged from sentiment into suspicion by the sight of a figure stealthily moving along the wall beneath the front windows.
Mr. Opp crouched behind the fence to [p241] watch him, but the moon took that inopportune moment to sink into a bank of clouds, and the yard was left in darkness. No sound broke the stillness save the far-off bark of a dog or an occasional croak from a bullfrog. Mr. Opp waited and listened in a state of intense suspense. Presently he heard the unmistakable sound of a window being cautiously raised, and then just as cautiously lowered. Summoning all his courage, he skirted the yard and hid in the bushes near the house. Nothing was to be seen or heard. He watched for a light at any of the windows, but none came.
The rash desire to capture the burglar single-handed, and thus distinguish himself in the eyes of Guinevere’s mother, caused Mr. Opp to stiffen his knees and assume a fierce and determined expression. But he was armed only with his cornet, which, though often deadly as an instrument of attack, has never been recognized as a weapon of defense. There seemed no alternative but to [p242] waken Hinton and effect a simultaneous attack from within and without.
After throwing a few unsuccessful pebbles at Hinton’s window, Mr. Opp remembered a ladder he had seen at the back of the barnyard. Shaking as if with the ague, but breathing dauntless courage, he departed in great excitement to procure it.
Unfortunately another party was in possession. A dozen guinea-fowls were roosting on the rungs, and when he gave them to understand they were to vacate they raised an outcry that would have quelled the ardor of a less valiant knight.
But the romantic nature of the adventure had fired Mr. Opp’s imagination. He already saw himself lightly dusting his hands after throttling the intruder, and smiling away Mrs. Gusty’s solicitude for his safety. Meanwhile he staggered back to the house with his burden, dodging fearfully at every shadow, and painfully aware that his heart was beating a tattoo on his ear-drums.
Placing the ladder as quietly as possible [p243] under Hinton’s window, he cautiously began the ascent. The sudden outburst of the guineas had set his nerves a-quiver, and what with his breathless condition, and a predisposition to giddiness, he found some difficulty in reaching the sill. When at last he succeeded, he saw, by the light of the now refulgent moon, the figure of Hinton lying across the foot of the bed, dressed, but asleep. The opening not being sufficiently large to admit him, he thrust in his head and whispered hoarsely through his chattering teeth: