Her hair, prematurely gray, gave more the effect of powder. Her brows were arched so much that she seemed to be looking up from under a thatch. They were blue eyes; not quite China blue, as Pearl had heard the family eyes described; they were sad, appealing eyes, which kept veiling themselves in an effort to seem dignified and remote. Yes, Pearl thought, there was something pathetic about Mrs. Conway—something that made her feel just a little bit as Alfred's lost paw made her feel; so she beamed gently down upon her new employer while that lady continued:

"I don't see how Antonia ever found you—from his account. Fortunately the child is wonderfully quick or you would be waiting at the station still. Where is she, by the way?"

Pearl explained that she had dashed down to the beach to ask her brother to wait for them, and would it be all right if she went swimming too? Over Mrs. Conway's shoulder Pearl could catch a glimpse of the piazza, and beyond that the faultless blue rim of the horizon; and as she talked she could hear close by the thud and hiss as a wave went up the beach. She longed to be in the water.

"Oh, yes, go if you want to," said Mrs. Conway. She was not exactly cordial. Gentle, friendly people like Edna Conway always go too far when they try to be cold; they have no experience in the rôle. "But try not to keep them waiting too long. My children hate to be kept waiting."

"I do myself," answered Pearl gayly.

"Really?" said Mrs. Conway, and the arched eyebrows went up under the gray thatch.

Pearl saw she had said the wrong thing; but whether it was wrong for a governess to dislike being kept waiting, or presumptuous to put herself into the same interesting group as the Conway children, she had no idea. She did not much care either. The smooth blue sea was waiting for her, and she went springing upstairs, slinging off a string of beads—translucent pearl-gray glass, the color of her eyes—and thinking to herself that it was a mercy she had had sense enough to put her bathing dress in her bag. She tore it out from the lower layers so violently that shoes and brushes flew into the air like stones from a volcano; and in a surprisingly short time she was running through the deserted sitting room, out across the piazza, down the steep wooden steps to the beach.

At the edge of the water Durland was standing with his back to her. Although he was a thin boy of fifteen in a striped red-and-blue bathing suit, he was standing with one knee advanced, his hand on his hip and a cigarette dangling from his lip, as if he were the late King Edward VII at Homburg. Beside him, Antonia was digging a hole like a dog—possibly her sleeping hole for the evening—and talking all the time. She was talking about Miss Exeter.

Durland was deeply opposed to the idea of Miss Exeter. In the first place he was opposed to women, as a prisoner is opposed to stone walls. He was surrounded by them, dominated by them. His mother, his mother's maid, who had been with them forever, his sister Dorothy—they all bullied him and cut him off from his fellow men. Sometimes, with disgust, he heard himself using the feminized vocabulary of the women about him, and though he was as masculine as possible—smoked and everything—he could not shake off their influence. Then he hated governesses as representing that most emasculated form of that most emasculated thing—learning. His friends had already made fun of him about it. It had been said on the beach, "I hear they're getting a governess to keep you in order, Durlie." He had decided to make it clear that he had nothing to do with the woman. He doubted if he even allowed her to teach him algebra, though as a matter of fact he wanted to pass his examination. And then, last but not least of his reasons, he felt opposed to anything that Antonia so wildly recommended, because that was one way of keeping her in the complete subjection to him in which she lived.