“It is carved out of the rarest wood we have,—wood that hardens like stone with age,—and has an indestructible lining and is studded with costly gems; the thing is celebrated, an heirloom in Claris’ family. They like to sport those things, the owners of them do. They are a mark of distinction,—or, as they might say in some of your countries, a patent of nobility.”
“I suppose, then, that only the rich and the aristocratic ‘vaporize’?”
“By no means; whatever the aristocracy do, humble folk essay to imitate. These vapor cups are made in great quantities, of the commonest clay, and sold for a penny apiece.”
“Then it must be a natural taste, among your women?” said I.
“No, no more than smoking is among men. They say it is nauseating in the extreme, at first, and requires great courage and persistence to continue in it up to the point of liking. There is no doubt that it becomes very agreeable to them in the end, and that it is almost impossible to break the habit when once it is fixed.”
“And what do they do with their cups,—I mean, how do they carry them about when they are not using them?” I asked.
“Put them in a morocco case, the same as you would a meerschaum, and drop them into a fanciful little bag which they wear on the arm, suspended by a chain or ribbon.”
Frambesco could not compare with Thursia either in size or beauty; and it had a totally different air, a kind of swagger, you might say. I felt the mercury in my moral barometer drop down several degrees as we walked about the streets amid much filth, and foul odors, and unsightly spectacles.
I made the natural comments to my friend, and he replied that neither Frambesco nor any other city on the continent could hold a candle to Thursia, where the best of every thing was centered.
We observed a great many enormous placards posted about conspicuously, announcing a game of fisticuffs to take place that afternoon in an amphitheatre devoted to such purposes; and we decided to look in upon it. I think it was I who suggested it, for I had no little curiosity about the “tactics” of the manly art in that country, having seen Sullivan and several other famous hitters in our own.