The first act over, a troop of black-faced comedians occupied the stage.
“Jist look at that black man’s chest swellin’ in an’ out like an accorjun,” remarked Mrs. Wopp highly entertained with the sight. Moses leaned over till he was in danger of capsizing. His eager look trailed off into a point of vacuity when the performers left the stage. Bewilderment had left his eyes incapable of properly focussing. Suddenly he caught sight of Betty and he could hardly repress an exclamation of joy as he pointed her out to his mother.
“Don’t Betty look jist too sweet,” she murmured when she had finally located the child, “Her hair looks as ef she had got tangled up in the milky way an’ there was nothin’ on it but star-dust.”
The pianist walked on the stage as the eyes of Mrs. Wopp and Moses rested on Betty. Howard Eliot had not taken his gaze from Nell Gordon expecting momentarily to catch her glance and to be rewarded by a smile. A smile radiated her fair face, but alas! It was not for him.
As the program went on Moses finally caught the eye of his little sister. The joyful news was passed on and Nell looked up, but it was a disconcertingly cold look that returned her inquiring gaze at Howard. So frigid was his expression that she did not attempt to turn her head in that direction again. From time to time Betty turned to wave her hand thereby causing much merriment among those who watched her childish enjoyment.
When the program was over Moses noticed enviously that Betty was so close to the orchestra that her ear was almost in the trombone.
“Wisht I hed a chance to holler into one of them brass dinner-horns, too,” he grumbled.
Mrs. Newman and Nell waited after the show for the unique trio that had occupied the box but they were nowhere to be seen. Howard Eliot had whisked his companions off under a pretext of urgent business.
The next day was spent in sight seeing but visions of neglected poultry and cows haunted the anxious housewife, and notwithstanding the expostulations of Moses they started home that evening.
Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.