What delightfully busy and secret evenings Betty spent in the kitchen with Mrs. Wopp helping and expostulating! What dismal sighs from Moses who, like the Marchioness, cooled his eye at the keyhole! His sighs penetrated through the said keyhole and almost softened the obdurate Betty; but, alas, his eavesdropping ended only in whetting the edge of his curiosity! What yelps from Jethro when Moses trod on his foot in headlong flight from the door as his mother approached! What copious notes written by Ebenezer Wopp on the whispering and conspiracies in the kitchen! And then again what sweeping up and burning of cardboard, what hunting through old newspapers and magazines, and what clicking of scissors while a small pair of jaws worked simultaneously! What gorgeous hues from the paint-box as Betty mixed her colors and painted innumerable pictures cut from the magazines! Animals, birds, flowers! Gay as color could make them! A veritable garden and zoo turned loose in the kitchen!
Moses regretted a hundred times his refusal to grant Betty’s request for two bits. He had since offered it and had tried to thrust it on her, but injured pride could not thus be appeased.
At last the long-looked-for day arrived and by two o’clock eight children from the nearest ranches had ridden or had been brought by grownups to the Wopp farm, all arrayed in their best bibs and tuckers.
For two days the aromas from the kitchen had been such as to dispel the gloom from Moses’ countenance, and hope and anticipation blended on his youthful visage.
The loft in the barn had been swept and garnished by Mr. Wopp for Betty’s moving picture show, and thither, after the preliminary how-d’you-do’s were over, she led her eager audience. Her head was held at the exact angle for ascending the ladder to perform the imposing duties of moving picture operator, and her foot was on the first rung when she suddenly thought of the collection box for the carrots the children were carrying.
“Moses,” she directed, “git an empty apple-box fer the burnt orfferin’s.”
Moses, who was still in the dark as to the exact character of the entertainment planned, was all eagerness to get preliminaries over.
“Here, slow-pokes, drop yer carrots in this here bin.” He indicated an empty oat-bin.
Pat Bliggins approached the receptacle and deposited a prodigiously overgrown, forked, dusty carrot, miraculously endowed with powers of emotion, for several wrinkles beneath its green feathery top betrayed extreme agitation.
Norah Bliggins carried in a little basket several carrots of various sizes and complexions, all carefully scrubbed as became respectable members of the vegetable family, and shining as sweet and clean as the face of the child. These must have put to shame their forked brother, for that perturbed carrot rolled heavily to a corner and hid his grimy visage.