The choice was made in August, 1899, and from the moment that the engagement was entered into, the Princess Sada became an honored guest in her father's house. She could no longer play with her brothers and sisters, or take a meal with any member of her own family. A new and handsome suite of rooms was built for her, her old wardrobe was discarded and an entirely new one provided for her, all her table service was new and distinct from that of the rest of the family, and she was addressed by all as if she were already Empress. Her studies were not given up, but masters were chosen for her who came to her and instructed her, with due deference to her high station, in the subjects that she had been studying at school. So passed the nine months of her engagement, and on May 8, 1900, she became one of the principals in a state wedding such as Japan had never before seen. Through all the show and ceremony she acquitted herself decorously and bravely, and since her marriage no word save of approval of the young wife has come out from the palace gates. Her little sisters-in-law, the four small daughters of the Emperor, enjoy nothing so much as to go and spend the day with her, for she is so amusing, and her life has been such a busy and happy one, that she comes like a breath of fresh air into the seclusion of the Court. Her young husband, too, finds in her congenial society, and his frail health seems to be daily strengthening with the brightness that has come into his home.
Great was the joy in the empire when, on April 29, 1901, this happy union was rendered still happier by the birth of a strong little prince to carry on the ancient line. By an auspicious coincidence, his birth came just at the time of the annual boys' feast, or Feast of Flags, and his naming day was appointed for May 5, the great day of the feast, when all Japan is decorated with giant carp swinging from tall poles outside of every house, and swimming vigorously at the ends of their tethers in the strong spring wind. The carp is to the Japanese mind the emblem of courage and perseverance, for he swims up the strongest current, leaping the waterfalls that oppose his progress. The baby was named by his grandfather, and will have the personal name of Hirohito, and the title Prince Michi. With this new little prince there are no polite fictions to maintain, nor conventional relationships to be established. He is the son of his father's lawful wife, as well as of his father. There is to be no breaking off of natural ties, and his own mother will nurse and care for him, a fortune that never falls to the lot of the imperial son of a mékaké. If he lives, he will be a standing argument in favor of monogamy, even in noble families, and his birth bodes well for family life throughout the country.
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A pretty, but most shocking sight, if seen through the eyes of some of these old-fashioned attendants, is the semi-annual undo kai, or exercise day of the Peeresses' School. The large playground is, for this occasion, surrounded by seats divided off to accommodate invited guests of various ranks, who spend the day watching the entertainment. In the most honorable place, surrounded by her ladies-in-waiting, sits the Empress herself, for the education of the daughters of the nobles is a matter of the liveliest interest to her; and the parents and friends and teachers of the girls fill up all available seats after the school itself has been accommodated.
The programme is usually a long one, occupying the greater part of the morning and afternoon, with an interval for lunch. Most of the ordinary English field games—tennis, basket-ball, etc.—are played with skill and vigor, and in addition to these there are races of various kinds, devised to show, not simply fleetness of foot, but quickness of hand and wit as well. These races vary from year to year, as the ingenuity of the directors of the sports may be able to devise new forms of exercise. One extremely pretty contest is as follows: On the playground between the starting-point and the goal are set at equal distances four upright sticks for each runner. Four branches of cherry blossoms and four bright-colored ribbons for each contestant are laid on the ground at the starting-point. At the signal, each girl picks up a cherry branch and a ribbon, and runs to one of the upright sticks, tying the flowers firmly thereto; then she runs back for a second branch, and so on until all four have been fastened in place. The race is won by the child who first reaches the goal leaving behind her four blooming trees where before there were bare poles. This seems to be the æsthetic Japanese equivalent for our prosaic potato race. Another contest is after this manner: Along the course of each runner are laid at certain intervals bright-colored balls,—a different color for each contestant. The object of the race is, within a certain time, to pick up all the balls and throw them into the nearly closed mouth of a great net at the far end of the grounds. The contest is not decided until the balls have been counted, when the girl who has succeeded in getting the greatest number of balls of her color into the net is declared the winner. Another and extremely pretty race, calling for great steadiness of hand and body, is the running from one end of the ground to the other with a ball balanced on a battledore. The Japanese battledore is made of light but hard wood, and is long and narrow in shape. If one had not seen it done, it would be well-nigh impossible to believe that any child could carry a ball upon it for more than a few slow steps: but these children run at a smart trot, keeping the ball immovable upon its small and smooth surface.
Beside the games and races, there are calisthenic exhibitions, in which great precision of motion and flexibility of body are manifested. One of the most graceful and attractive of these is the fan drill shown on this occasion, when some twenty or thirty girls, with their bright-colored dresses, long, waving sleeves, and red hakama, posture in perfect rhythm, with fans opened or closed, waving above the head, held before the face, changed from position to position, with the performers' changes of attitude, each new figure seemingly more graceful than the last.
In these and many other ways the nobility of new Japan are being fitted for the new part that they have to play in the world. No wonder that the education now given, awakening the mind, toughening the body, arousing ambition and individuality, is regarded by many of the ultra-conservatives as a dangerous innovation, and one likely to bring the nobility down to the level of the common people. Whether this new education is better or worse than the old, we can hardly tell as yet, but there are no signs of the immediate breakdown of the old spirit of the nobility, and the better health and stronger characters of the young women who have received the modern training promise much for the next generation.
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While this was entirely true in 1890, it is interesting to observe that after ten years of commercial and industrial progress there are signs that the embroidered kimono is coming back into fashion. With the growth of large fortunes and of luxury that has marked the past decade, has come the custom of providing wedding garments as magnificently embroidered as were the robes of the daimiōs' ladies, and even the montsuki or ceremonial dress, which was severely plain in 1890, now has little delicate embroidery about the bottom. It will not be surprising if some day, when the present growing commercial and industrial enterprise has reaped a more abundant harvest, Japan blooms forth again in the beautiful garments that went out of fashion when the great political upheaval cut off the revenues of the old nobility.