“It’ll go the way I want it to,” said Burch solemnly, watching the darting brightness. “I’ll drive it—when we get it.” He nodded his flaxen head toward the funny little green mound that stood in the side yard, matted with woodbine in the summer and wearing a peaked cap of snow of winters. “I’ll drive right up on top of the mountain, and down on the other side,” he announced.
Hilda surveyed the mound doubtfully; it was as sharp and definite as an upturned cup.
“Oh, no, brother,” she demurred. Then as she saw protest in his face, she hastened to modify, “Well, not right at first. You’d upset, I’m afraid. Let’s just drive round on the level for a good while; then, if Uncle Hank says you may, you can go over the mountain.”
Day after day, for a whole week, their play was all concerned with the new carriage. It was present, with a wonderful reality, down behind the corral on sunny afternoons, out along the road from school, and beside the asequia.
When the wonderful morning of the contest came at last, the ancient crippled ambulance was, in Uncle Hank’s phrase, “toggled up,” a pair of good ponies put to it, and the old man drove his household over the eighteen miles of open plain to Dawn. Rose Marie—a creature of infinite fineness, quick intuition, and warm, responsive sympathies, a pal to share a jest or a triumph with, and one who could hold her tongue till the stars fell, in short, the perfect friend, the companion genial yet reticent, discreet without austerity—Rose Marie sat between Hilda and Burchie. Ahead, Shorty, Jeff, Buster, Missou’, old Snake Thompson, and the other Three Sorrows cowpunchers rode in a brave squad, from which came the sounds of jingling spurs, creaking saddles, and that deep, satisfying music of big bass voices.
It was a customary caravan. Sometimes as Hilda rode on, she was a Persian princess in her palanquin, with her retinue of slaves; or a prisoner, torn from some stately and glittering home, her cruel captors galloping beside, exchanging callous jest and laughter across her delicious, silken-robed despair. Aunt Val, on the seat by her, even Uncle Hank in front driving, never guessed what a world of her own, splendid, terrifying, marvelous, the child was riding through. Only Rose Marie might know.
But to-day all such imaginings were put aside for the more instant matter of the new carriage. She neglected to make sounds of pursuit or rescue out of the thudding hoofs of the led horses behind the ambulance, where trotted Pardner, Shorty’s “gilt-edged cutting pony,” and the sober buckskin-colored mount from the back of which Uncle Hank purposed later to view the races and the contest. Though Rose Marie displayed a new frock constructed from a veil of Miss Valeria’s, the pressure of realities made it impossible for the doll to impersonate anything but a lady of the present day, residing in Lame Jones County, the Texas Panhandle.
Even The-Boy-On-The-Train—who almost always took an important part in Hilda’s invisible dramas—when bidden to appear and bear Hilda company, arrived in the character of a judge of the races, who, with grace of manner indescribable, and in a large round voice, announced, at the close of the contest, that the rider for the Three Sorrows had so far outdistanced all the others, that the carriage would have been his more than thrice over. “More than thrice.” Hilda liked that phrase, and she repeated it several times, with variations and additions. Absorbed thus, she was oblivious to the natural and usual stages by which they arrived at Dawn and the fair grounds, where, stepping abruptly from the world of fantasy, she became just a little girl with eyes, ears, and thoughts for only one item of all the gay show. The horses, the cattle, the patchwork quilts, buttonholes, preserves, tidies, and hand-painted pin-cushions got no attention from her. Uncle Hank, reading her state of mind correctly, found a comfortable seat for Miss Val, and then led Hilda and Burchie to where stood the special prize for the roping contest.
With a good child’s outward docility, she listened, mute, to the eager speculations as to who would probably win it. Of course nobody knew yet that the carriage was Hilda’s very own. At any rate, the civil thing was to let these idle remarks pass unchallenged; and now the time was at hand when, Shorty having roped his steer, the Three Sorrows group could openly take possession of their own.
Life went by with little flavor or meaning, while the many products of nature, and of man’s and woman’s skill, were sampled, judged and the awards made. It still crept on listless wing where Hilda sat with Miss Val and Burchie in the grand stand; and the gentlemen rode for the bullion-trimmed sombrero, which Scotty MacQueen won; and the ladies rode for a resplendent cow-girl saddle, which fell to Miss Jessie MacGregor. It made little better progress during the races, and the bestowal of the purse and the cup, the giving of the various first, second and third prizes. Yet it did pass. The moment did arrive when one said, and truly, that the roping contest was the only event now remaining.