The morning came on still, warm and cloudy. There was silence in the forest, the softened loam making no sound under any foot, last year's old leaves too damp to rustle on the oak boughs. It was a day so soundless, stirless, colorless, as to seem unreal, with a haunting sadness in the air like an undefined memory of past existences, a drowsiness of forgotten lands. Even the hearth fire faded faint in that toneless day, which had neither sun nor moon nor wind, neither heat nor cold indoors or out. Again and again, as the hours wore on, the Widow Griever stole in and looked upon her sleeping guest with a sort of terror. She sent Polly away with Mary Ann Martha to look for posies in the far woods that the house might be quiet. Quiet—it was as if the vast emptiness which surrounds the universe had penetrated into the heart of that day, making all objects transparent, weightless, meaningless, without power of motion. She would stand beside the bed, noting the even breathing of the sleeper, then go softly to the door and look out. The trees rose into the 214 stillness and emptiness and spread their branches there, themselves thin shadows of a one-time growth and life. The water of the pond below lay wan and glassy, unstirred by any ripple. The very rocks on its edges appeared devoid of substance. From ten o'clock on seemed one standstill afternoon, lacking sign of life or the passage of time, until the imperceptible approach of dusk and the slow deepening of a night which might to all appearances be the shadow of eternal sleep.
Kimbro and his son had taken their bit of dinner with them to their work of clearing and brush-burning in a distant field. At dusk they came quietly in to find the supper ready, Polly still herding Mary Ann Martha to keep her quiet, Roxy Griever putting the meal on the table, worried, but saying nothing. On their part, they asked no questions, but each stole an anxious glance at the shut door behind which was the spare bed. As they sat down to eat, Roxy said to her father:
"I don't hardly know, Poppy—She's a-sleepin' yit—been a-sleepin' like that ever sence she laid down thar. Do you reckon I ort—"
"I'd jest let her sleep, daughter," put in the old man gently. "I reckon hit's the best medicine she can get. The pore child must be sort of wore out."
After supper, while Roxy, with Polly's help, was washing the dishes, Kimbro and his younger son held a brief consultation out 215 by the gate, following which the boy moved swiftly off, going up Lance's Laurel.
A little later Callista waked briefly. She sat listlessly upon the side of the bed, declining Roxy's eager proffer of good warm supper at the table, and took—almost perforce—from the elder woman's hand the cup of coffee and bit of food which Roxy brought her.
"No, no, nothing more, thank you, Sister Roxy!" she said hastily, almost recoiling. "That's a-plenty. I ain't hungry—just sort o' tired." And she turned round, stretched herself on the bed once more, and sank back into sleep.
The next morning, when the breakfast was ready, although Roxy had listened in vain for sounds from the small far room, Callista came unexpectedly out, fully dressed. She sat with them at the table, pale, downcast, staring at her plate and crumbling a bit of corn pone, unable to do more than drink a few swallows of coffee. She did not note that Sylvane was missing. Later the boy came back from Lance's Laurel, to tell his father and sister that he had spent the night with his brother, that the cabin in the Gap was now closed and empty, and Lance gone to work at Thatcher Daggett's sawmill, some twelve miles through the woods, out on North Caney Creek, where several men of the neighborhood were employed.
"That's the reason Callista come over here," old Kimbro said 216 mildly. "She and Lance have had a difference of opinion, hit's likely, about whether or no he should go there. Well, I'm sure glad to have her with us. She'd 'a' been right lonesome all to herself."
"Would you name it to her?" asked the widow anxiously.