Who knows what musical flocks of words
Upon these pine-tree tops will light,
And crown these towers in circling flight,
And cross these seas like summer birds,
And give a voice to the day and night?
Something of you already is ours;
Some mystic part of you belongs
To us whose dreams your future throngs,
Who look on hills, and trees, and flowers,
Which will mean so much in your songs.
I wonder, like the maid who found,
And knelt to lift, the lyre supreme
Of Orpheus from the Thracian stream.
She dreams on its sealed past profound;
On a deep future sealed I dream.
She bears it in her wanderings
Within her arms, and has not pressed
Her unskilled fingers but her breast
Upon those silent sacred strings;
I, too, clasp mystic strings at rest.
For I, i' the world of lands and seas,
The sky of wind and rain and fire,
And in man's world of long desire—
In all that is yet dumb in these—
Have found a more mysterious lyre.
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UNLINKED
If I should quit thee, sacrifice, forswear,
To what, my art, shall I give thee in keeping?
To the long winds of heaven? Shall these come sweeping
My songs forgone against my face and hair?
Or shall the mountain streams my lost joys bear,
My past poetic in rain be weeping?
No, I shall live a poet waking, sleeping,
And I shall die a poet unaware.
From me, my art, thou canst not pass away;
And I, a singer though I cease to sing,
Shall own thee without joy in thee or woe.
Through my indifferent words of every day,
Scattered and all unlinked the rhymes shall ring,
And make my poem; and I shall not know.