At this particular picnic, however, there had been bitterness of spirit. Theophile was Manuela's own especial property, and Theophile had proven false. He had not danced a single waltz or quadrille with Manuela, but had deserted her for Claralie, blonde and petite. It was Claralie whom Theophile had rowed out on the lake; it was Claralie whom Theophile had gallantly led to dinner; it was Claralie's hat that he wreathed with Spanish moss, and Claralie whom he escorted home after the jolly singing ride in town on the little dummy-train.
Not that Manuela lacked partners or admirers. Dear no! she was too graceful and beautiful for that. There had been more than enough for her. But Manuela loved Theophile, you see, and no one could take his place. Still, she had tossed her head and let her silvery laughter ring out in the dance, as though she were the happiest of mortals, and had tripped home with Henri, leaning on his arm, and looking up into his eyes as though she adored him.
This morning she showed the traces of a sleepless night and an aching heart as she walked down Marais Street. Across wide St. Rocque Avenue she hastened. "Two blocks to the river and one below—" she repeated to herself breathlessly. Then she stood on the corner gazing about her, until with a final summoning of a desperate courage she dived through a small wicket gate into a garden of weed-choked flowers.
There was a hoarse, rusty little bell on the gate that gave querulous tongue as she pushed it open. The house that sat back in the yard was little and old and weather-beaten. Its one-story frame had once been painted, but that was a memory remote and traditional. A straggling morning-glory strove to conceal its time-ravaged face. The little walk of broken bits of brick was reddened carefully, and the one little step was scrupulously yellow-washed, which denoted that the occupants were cleanly as well as religious.
Manuela's timid knock was answered by a harsh "Entrez."
It was a small sombre room within, with a bare yellow-washed floor and ragged curtains at the little window. In a corner was a diminutive altar draped with threadbare lace. The red glow of the taper lighted a cheap print of St. Joseph and a brazen crucifix. The human element in the room was furnished by a little, wizened yellow woman, who, black-robed, turbaned, and stern, sat before an uncertain table whereon were greasy cards.
Manuela paused, her eyes blinking at the semi-obscurity within. The Wizened One called in croaking tones:
"An' fo' w'y you come here? Assiez-la, ma'amzelle."
Timidly Manuela sat at the table facing the owner of the voice.
"I want," she began faintly; but the Mistress of the Cards understood: she had had much experience. The cards were shuffled in her long grimy talons and stacked before Manuela.