Noisy boys found scores of other ways to make various resounding notes in the gardens. A louder pop could be made by placing broad leaves on the extended thumb and forefinger of one hand and striking them with the other. The boys also made squawks out of birch bark and fiddles of cornstalks and trombones from the striped prickly leaf-stalks of pumpkins and squashes.

The New England chronicler in rhyme of boyhood days, Rev. John Pierpont, called this sound evoked from the last-named instrument "the deeper tone that murmurs from the pumpkin leaf trombone." It is, instead, a harsh trumpeting. These trombones were made in Germany as early as the thirteenth century.

An ear-piercing whistle could be constructed from a willow branch, and a particularly disagreeable sound could be evoked by every boy, and (I must acknowledge it) by every girl, too, by placing broad leaves of grass—preferably the pretty striped ribbon-grass, or gardener's garters—between the thumbs and blowing thereon. Other skilful and girl-envied accomplishments of the boys I will simply name: making baskets and brooches by cutting or filing the furrowed butternut or the stone of a peach; also fairy baskets, Japanesque in workmanship, of cherry stones; manufacturing old-women dolls of hickory nuts; squirt-guns and pop-guns of elderberry stems; pipes of horse-chestnuts, corn-cobs, or acorns, in which dried sweet-fern could be smoked; sweet-fern or grape-stem or corn-silk cigars.

Some child customs successfully defy the law of the survival of the useful, and ignore the lesson of reason; they simply exist. A marked example of these, of bootless toil, is the laborious hoarding of horse-chestnuts each autumn. With what eagerness and hard work do boys gather these pretty nuts; how they quarrel with one another over the possession of every one; how stingily they dole out a few to the girls who cannot climb the trees, and are not permitted to belabor the branches with clubs and stones for dislodgment of the treasures, as do their lordly brothers! How carefully the gathered store is laid away for winter, and not one thing ever done with one horse-chestnut, until all feed a grand blaze in the open fireplace! At the time of their gathering they are converted to certain uses, are made into certain toys. They are tied to the ends of strings, and two boys, holding the stringed chestnuts, play cob-nut. Two nuts are also tied together by a yard of cord, and, by a catching knack, circled in opposite directions. But these games have a very emphatic time and season,—the weeks when the horse-chestnuts ripen. The winter's store is always untouched.

From a stray burdock plant which had escaped destruction in our kitchen garden, or from a group of these pestilent weeds in a neighboring by-path, could be gathered materials for many days of pleasure. The small, tenacious burs could be easily wrought into interesting shapes. There was a romance in our neighborhood about a bur-basket. A young man conveyed a written proposal of marriage to his sweetheart reposing in one of the spiny vehicles. Like the Ahkoond of Swat, I don't know "why or which or when or what" he chose such an extraordinary medium, but the bur-basket was forever after haloed with sentiment. We made from burs more prosaic but admirable furniture for the dolls' house,—tables, chairs, and cradles: Traces of the upholstery clung long and disfiguringly to our clothing, but never deterred us from the fascinating occupation. To throw these burs upon each other's clothing was held to be the commission of the unpardonable sin in childish morals; still it was done "in holiday foolery," as in Shakespeare's day.

The milkweed, one of our few native weeds, and a determined settler on its native soil, furnished abundant playthings. The empty pods became fairy cradles, and tiny pillows could be made of the beautiful silk. The milkweed and thistle both furnish pretty, silvery balls when treated with deft fingers; and their manufacture is no modern fashion. Manasseh Cutler, writing in 1786, says:—

"I was pleased with a number of perfectly white silken balls, as they appeared to be, suspended by small threads along the frame of the looking-glass. They were made by taking off the calyx of the thistle at an early stage of blooming."

Ingenious toys of amusing shapes could be formed of the pith of the milkweed, and when weighted with a tack would always fall tack downward, as did the grotesque corn-stalk witches.