Many frankly simple customs prevailed. I do not know at how early a date the fashion obtained of “coming out bride” on Sunday; that is, the public appearance of bride and groom, and sometimes entire bridal party in wedding-array, at church the Sunday after the marriage. It certainly was a common custom long before Revolutionary times, in New England as well as New York; but it always seems to me more an English than a Dutch fashion. Mr. Gabriel Furman, in his manuscript Commonplace Book, dated 1810, now owned by the Long Island Historical Society, tells of one groom whom he remembered who appeared on the first Sunday after his marriage attired in white broadcloth; on the second, in brilliant blue and gold; on the third, in peach-bloom with pearl buttons. The bride’s dress, wholly shadowed by all this magnificence, is not even named. Mrs. Vanderbilt tells of a Flatbush bride of the last century, who was married in a fawn-colored silk over a light-blue damask petticoat. The wedding-waistcoat of the groom was made of the same light-blue damask,—a delicate and deferential compliment. Often it was the custom for the bridal pair to enter the church after the service began, thus giving an opportunity for the congregation to enjoy thoroughly the wedding-finery. Whether bride and groom were permitted to sit together within the church, I do not know. Of course ordinarily the seats of husband and wife were separate. It would seem but a poor show, with the bride in a corner with a lot of old ladies, and the groom up in the gallery.
On Long Island the gayety at the home of the bride’s parents was often followed on the succeeding day by “open house” at the house of the groom’s parents, when the wedding-party, bridesmaids and all, helped to keep up the life of the wedding-day. An old letter says of weddings in the city of New York:—
“The Gentlemen’s Parents keep Open house just in the same manner as the Bride’s Parents. The Gentlemen go from the Bridegroom’s house to drink Punch with and give Joy to his Father. The Bride’s visitors go in the same manner from the Bride’s to her mother’s to pay their compliments to her. There is so much driving about at these times that in our narrow streets there is some danger. The Wedding-house resembles a bee-hive. Company perpetually flying in and out.”
All this was in vogue by the middle of the last century. There was no leaving home by bride and groom just when every one wanted them,—no tiresome, tedious wedding-journey; all cheerfully enjoyed the presence of the bride, and partook of the gayety the wedding brought. In the country, up the Hudson and on Long Island, it was lengthened out by a bride-visiting,—an entertaining of the bridal party from day to day by various hospitable friends and relations for many miles around; and this bride-visiting was usually made on horseback.
Let us picture a bride-visiting in spring-time on Long Island, where, as Hendrick Hudson said, “the land was pleasant with grass and flowers and goodly trees as ever seen, and very sweet smells came therefrom.” The fair bride, with her happy husband; the gayly dressed bridesmaids, in silken petticoats, and high-heeled scarlet shoes, with rolled and powdered hair dressed with feathers and gauze, riding a-pillion behind the groom’s young friends, in satin knee-breeches, and gay coats and cocked hats,—all the accompanying young folk in the picturesque and gallant dress of the times, and gay with laughter and happy voices,—a sight pretty to see in the village streets, or, fairer still, in the country lanes, where the woods were purely starred and gleaming with the radiant dogwood; or roads where fence-lines were “white with blossoming cherry-trees as if touched with lightest snow;” or where pink apple-blossoms flushed the fields and dooryards; or, sweeter far, where the flickering shadows fell through a bridal arch of the pale green feathery foliage of the abundant flowering locust-trees, whose beautiful hanging racemes of exquisite pink-flushed blossoms cast abroad a sensuous perfume like orange blossoms, which fitted the warmth, the glowing sunlight, the fair bride, the beginning of a new life;—let us picture in our minds this June bride-visiting; we have not its like to-day in quaintness, simplicity, and beauty.
CHAPTER IV
TOWN LIFE
The earlier towns in New Netherland gathered usually closely around a fort, both for protection and companionship. In New Amsterdam, as in Albany, this fort was an intended refuge against possible Indian attacks, and also in New Amsterdam the established quarters in the new world of the Dutch West India Company. As the settlement increased, roads were laid out in the little settlement leading from the fort to any other desired point on the lower part of the island. Thus Heere Straat, the Breede Weg, or Broadway, led from the fort of New Amsterdam to the common pasture-lands. Hoogh Straat, now Stone Street, was evolved from part of the road which led down to the much-used Ferry to Long Island, at what is now Peck Slip. Whitehall Street was the shortest way to the East River. In front of the fort was the Bowling Green. Other streets were laid out, or rather grew, as needs increased. They were irregular in width and wandering in direction. They were not paved nor kept in good order, and at night were scarcely lighted.
In December, 1697, city lamps were ordered in New York “in the dark time of the moon, for the ease of the inhabitants.” Every seventh house was to cause a lanthorn and candle to be hung out on a pole, the expense to be equally shared by the seven neighbors, and a penalty of ninepence was decreed for every default. And perhaps the watch called out in New York, as did the watch in Old York, in London and other English cities, “Lanthorne, and a whole candell-light! Hang out your lights here.” An old chap-book has a watchman’s rhyme beginning,—
“A light here! maids, hang out your light,
And see your horns be clear and bright