The table furnishings of the New England planters consisted largely of wooden trenchers, and these trenchers were employed for many years. Sometimes they were simply square blocks of wood whittled out by hand. From a single trencher two persons—two children, or a man and wife—ate their meals. It was a really elegant household that furnished a trencher apiece for each diner. Trenchers were of quite enough account to be left by name in early wills, even in those of wealthy colonists. In 1689 "2 Spoons and 2 Trenchers" were appraised at six shillings. Miles Standish left twelve wooden trenchers when he died. Many gross of them were purchased for use at Harvard College. As late as May, 1775, I find "Wooden Trenchers" advertised among table furnishings, in the Connecticut Courant.
It was the same in Old England. J. Ward, writing in 1828 of the "Potter's Art," spoke thus of the humble boards of his youth:
"And there the trencher commonly was seen
With its attendant ample platter treen."
Until almost our own time trenchers were made in Vermont of the white, clean, hard wood of the poplar-tree, and were sold and used in country homes. Old wooden trenchers may be seen in Deerfield Memorial Hall. Bottles, noggins, cups, and lossets (flat dishes) of wood were also used at colonial boards.
The time when America was settled was the era when pewter ware had begun to take the place of wooden ware, just as the time of the Revolutionary War may be assigned to mark the victory of porcelain over pewter.
A set of pewter platters, or chargers and dishes, made what was called a "garnish" of pewter, and were a source of great pride to every colonial housewife, and much time and labor were devoted to polishing them until they shone like silver. Dingy pewter was fairly accounted a disgrace. The most accomplished Virginian gentleman of his day gave as a positive rule, in 1728, that "Pewter Bright" was the sign of a good housekeeper.
The trade of pewterer was a very influential and respectable one in New England as well as Old England. One of Boston's richest merchants, Henry Shrimpton, made large quantities of pewter ware for the Massachusetts colonists. So proud was he of his business that in his later years of opulence he had a great kettle atop of his house, to indicate his past trade and means of wealth. Pewter and pewterers abounded until the vast increase of Oriental commerce brought the influx of Chinese porcelain to drive out the dull metal. Advertisements of pewter table utensils did not disappear, however, in New England newspapers until this century.
A universal table furnishing was—
"The porringers that in a row
Hung high and made a glittering show."
When not in use porringers were hung by their pierced handles on hooks on the edge of the dresser-shelf, and, being usually of polished pewter or silver, indeed made a glittering show. Pewter porringers were highly prized. One family, in 1660, had seven, and another housewife boasted of nine. They were bequeathed in nearly all the early colonial wills. In 1673 John Oxenbridge left three silver porringers and his wife one silver pottinger; but pewter was the favorite metal. I do not find porringers ever advertised under that name in New England papers, though many were made as late as this century by New Haven, Providence, and Boston pewterers. Many bearing the stamps of these manufacturers have been preserved until the present day, seeming to have escaped the sentence of destruction apparently passed on other pewter utensils and articles of table-ware. Perhaps they have been saved because the little, shallow, graceful dishes, with flat pierced handle on one side, are really so pretty. The fish-tail handles are found on Dutch pewter. Silver porringers were made by all the silversmiths. Many still exist bearing the stamp of one honored maker, Paul Revere. Little earthen porringers of red pottery and tortoise-shell ware are also found, but are not plentiful.