As I sat on a fallen tree last summer at the lonely cross-roads, the scene of so many of these shift-marriages, the place, with its fairly tropical bloom, seemed a romantic spot for such a grotesquery; but the picture of the last of these benumbed brides, who, early in this century, clad only in a linen shift, on a February night—a New England February night—shivered across the frozen road to avoid the payment of some paltry debt, and the thought of the unspeakable husband who would let her go through such a mortifying and distressing ordeal, there seemed scant romance, and nothing but ignorant and sordid superstition.

TUGGIE BANNOCKS’S MOONACK

Tuggie Bannocks, the Narragansett negress, decided to work a charm on old Bosum Sidet, the negro tinker. She was not going to charm him in the ordinary commonplace way, albeit pleasing, that most dames follow—be they old or young, black or white—to allure human beings of the opposite sex. Her charm was, alas, a malignant one, a “conjure,” that she angrily decided to work upon him as a revenge for his clumsy and needless destruction of her best copper tea-kettle while he was attempting, or I suspect pretending, to repair it. This charm was not a matter of a moment’s hasty decision and careless action; it required some minute and varied preparation and considerable skill to carry it out successfully, and work due and desired evil.

Tuggie’s first step, literally, was to walk over the snowy fields, the frozen roads, to Bosum’s house to obtain some twigs or sprigs of withered grass that had grown and still lingered in his dooryard. Lest Bosum’s wife should suspect any uncanny motive for her visit, she carefully elaborated a plan, and carried on, in its furtherance, a long conversation with regard to a certain coveted dye-stuff which Mother Sidet manufactured; it turned all woollen stuffs a vivid green, and was in much demand throughout Narragansett to dye old woollen rags and worn-out flannel sheets and shirts this brilliant, verdant hue, when they could thereafter be used to most astonishing and satisfactory advantage in conferring variety in the manufacture of those triumphs of decorative art, those outlets of rural color-sense, home-made woven rag-carpets, and hooked and braided rugs. Tuggie argued with much dignity and volubility that she should be told the secret of this dye-stuff as some slight compensation for her ruined tea-kettle. It is needless to state that she was unsuccessful, nor had she expected to be otherwise. The secret of the dye was Molly Sidet’s stock-in-trade, just as the soldering-iron and solder were her husband’s.

At Molly’s refusal Tuggie waxed wroth, and a most unpleasant exchange of personalities took place, which culminated in Tuggie’s exasperating reference to an event which had occurred in Bosum’s youth, and about which he and his wife were exceedingly and naturally sensitive. He had once gone proudly to Boston for a three months’ visit to ply his trade and see the town. At the end of two weeks he had reappeared in Narragansett, kit in hand and depressed in appearance. When interrogated as to the reason of his sudden and speedy return, he had answered, acrimoniously, that “Boston folks is too full of notions.” In the course of a few weeks, however, news came to Narragansett that Bosum had been arrested in Boston for his well-known trick of stealing, and had been whipped through the town at the cart-tail. Nothing could anger Molly Sidet more than a reference to “Boston notions.” Tuggie used this thorn in the side with well-planned judiciousness and with the pleasing and wholly satisfactory result that Molly ordered her fiercely out of the house. This was precisely what she desired, for a witch cannot work a full, a thoroughly successful conjure on one who has always treated her well and kindly, and shown her due hospitality; hence old Tuggie, by Molly’s abrupt expulsion of her from her house, was left free to work her wicked will.

Though Tuggie did not get the coveted dye-stuff, nor the recipe therefor, she did not return home empty-handed; she managed to pick without discovery a few leafless twigs from the great bush of southernwood that grew by the stone doorstep of Bosum Sidet’s house, and she felt that her visit had not been in vain. Fortune favored her. As she passed the door of the tinker’s barn she slipped in unobserved and clipped a few hairs from the tail of his cow. It would have been much better, much surer, to have had these hairs from Bosum’s own head, but to aspire to a fibre of his close-cropped wool was useless.

As Tuggie Bannocks walked home over the crisp snow she muttered to herself with delight, and she glowered and scowled at the children as she passed the school-house at the corner, and they hooted and jeered at her in return, and called out, “Te-Rap, Te-Rap,” which everyone knows is the greeting that witches cry out to each other.

She certainly was deemed a witch by her neighbors as well as the children. And this reputation was not accidental, it was jealously cultivated. She conformed her mien and behavior to all that was expected of a witch; and she had been gifted by nature with one feature which, much to her satisfaction, enabled her to exhibit convincing proofs of her pretensions. She had two full rows of double teeth (front teeth and all were double), which could be displayed to telling and bewildering advantage to those who thought her “just like other folks.”

She did have some uncanny habits; some that, a century previous, in a Puritan community, would have set her afloat to sink or swim.

She never sat upon stool or chair or settle in anyone’s house; no one had ever seen her seated save on a table or dresser or bed, or even on a cradle-head—this to the painful apprehension of the mother who owned the cradle. When spinning flax in one house she sat on a saw-horse. She had not a chair in her house, but there was an oaken chair-moulding at the top of the wainscoting in her spacious old kitchen; and it was currently reported and believed that when she was alone she perched or clung with her heels on this moulding. The Newport chap-man, Chepa Rose, told at the Ferry that he saw her one night running round the room on the moulding. But Chepa was not truthful, so I do not believe it.