Other patriotic designs became common,—the Patriotic Brothers having a sign representing the Temple of Liberty with weapons of war. On the steps of the temple a soldier and sailor grasp hands, with the motto, “Where Liberty dwells, there is my country.”
A very interesting sign is in the possession of the Connecticut Historical Society. It is shown on [page 28]. This sign is unusual in that it is carved in good outline on one side with the British coat of arms, and on the other a full-rigged ship under full sail, flying the Union Jack. At the top on each side are the letters U. A. H., and 1766. It is enclosed in a heavy frame, with heavy hangers of iron keyed to suspend from a beam.
The initials U. A. H. stand for Uriah and Ann Hayden, who kept the tavern for which this board was the sign. It stood near the river in Essex, then Pettspung Parish, in the town of Saybrook, Connecticut. The sign was relegated to a garret when the British lion and unicorn were in such disrepute in the new land of freedom, and, being forgotten, was thus preserved to our own day.
An old sign shown on [pages 151] and [153] swung for nearly a century by the roadside before a house called Bissell’s Tavern, at Bissell’s Ferry, East Windsor, Connecticut. Originally it bore an elaborate design of thirteen interlacing rings, each having in its centre the representation of some tree or plant peculiar to the state it designated. These interlacing links surrounded the profile portrait of George Washington. Above this was the legend, “The 13 United States.” Beneath this, “Entertainment by David Bissell, A.D. 1777.” Ten years later the words David Bissell were painted out and E. Wolcott substituted. The date 1787 was also placed in both upper corners of the board. In 1801 the sign and house came to Joseph Phelps. A new design was given: a copy of the first gold eagle of 1795, and on the other the reverse side of same coin and the name J. Phelps. In 1816 J. Pelton bought the Ferry Tavern, and he painted out all of J. Phelps’s name save the initials, which were his own. He hung the sign on the limb of a big elm tree over the Ferry road.
Sign-board of
Bissell’s Tavern.
Arad Stratton, who kept the old tavern at Northfield Farms, had a splendid eagle on his sign-board, which is shown on [page 140]. This tavern built in 1724 was pulled down in 1820.
William Pitt’s face and figure frequently appeared on sign-boards. One is shown on [page 156] which hung at the door of the Pitt Tavern in Lancaster, Pennsylvania. This tavern was kept from 1808 to 1838 by Landlord Henry Diffenbaugh. The sign-board was painted by an artist named Eicholtz, a pupil of Sully and of Gilbert Stuart, whose work he imitated and copied.
A small, single-storied ancient tavern used to stand near the old Swedes’ church. Over the door was a sign with an old hen with a brood of chickens; an eagle hovered over them with a crown in its beak; the inscription was: “May the Wings of Liberty cover the Chickens of Freedom, and pluck the Crown from the Enemy’s Head.” This was a high flight of fancy, and the Hen and Chickens was doubtless vastly admired in those days of high sentiment and patriotism after the Revolution.
Lafayette and Franklin showed their fame in many a sign-board. When the sign of the Franklin Inn was set up in Philadelphia in 1774, it bore this couplet:—