And Neddy struck up at once. He never required pressing, for his songs seemed always on his lips. He sang his ballads as he passed through the country towns and villages, and the people came out and pressed pennies into his hand, or invited him into their houses for a rest, a hunch of bread and cheese, or a bowl of cawl; and he sang as he tramped over the lonely hillsides, sometimes weary and faint enough, but still singing; and when at night he retired to rest in some hay-loft or barn, or perhaps alone under the starry night sky, he was wont to sing himself to sleep, as he had done when a child in the old homestead of which nobody knew.
When he began the words of the song so sweet to every Welshman's ear:
"Oh! lovely bird with azure wing
Wilt bear my message to her?"
every ear was intent upon the melody, and as the rich sonorous voice carried it on through its first fervid strains of love, to the imploring cadences of the ending, heads and hands beat time, eyes glistened, humid with feeling, and when the song had come to an end, there was a breathless silence and a sigh of satisfaction.
"There's lovely it is! Sing us again, Neddy bâch."
And Neddy sang again the song of the red-cheeked little prince, who slept in his golden cradle, a red-cheeked apple in his hand. It was but a simple nursery rhyme, but Neddy put his soul into it, for he was but a child himself in spite of his tall stature and grizzled locks.
Morva was sitting on the steps which led up to the rickety, windy loft,
Gethin beside her on an upturned barrow.
"I might go on with my knitting," said the girl, "if somebody would hold my skein for me to wind."
Gethin held it, of course; and while the ball increased in size there was plenty of time and opportunity for talk, which was interrupted by Robin's fiddle striking up a merry jig time. Wool and ball were laid aside, while Ann placed six lighted candles on the floor—four in the centre and one at each end, with space enough between them for the figures of the dance.
Neddy listened a few moments, seemingly to get the rhythm well into his mind; then starting up, and flinging his heavy shoes aside, he took his place at the end of the space cleared for him, his ragged corduroy trousers hanging in tatters round his bare ankles. With his thumbs in the armholes of his waistcoat, he began the dance, singing all the time an old refrain descriptive of its measure; keeping at a little distance from the group of candles, but gradually approaching nearer and nearer, and at length flinging his bare feet around the flaring lights. Round them and over them, in between them and outside them, until it was a mystery how the bare feet were not burnt and the ragged trousers did not catch fire. Over and over again he stopped for breath, until the loud stamping of feet and cries of applause, in which Tudor joined vociferously, encouraged him to begin again. The music waxed faster and faster, and Neddy danced with more marvellous rapidity, until he seemed to lose himself in the intricate mazes of the dance. He was pale, and beads of perspiration stood on his forehead, when at last, with a trick of his bare foot, he extinguished every light, and staggered to his seat in the corner by the kiln.