And in a clear, sweet voice she joined the birds, and woke the echoes from the brown cliffs. The tune was quaint and rapid; both it and the words had come down to her with the old folklore of generations passed away.
"Over the sea from the end of the wide world
I've come without wetting my feet, my feet, my feet,
Back to the old home, straight to the nest-home,
Under the brown thatch, oh sweet! oh sweet! oh sweet!
"When over the waters I flew in the autumn,
Then there was plenty of seed, of seed, of seed.
Women have winnow'd it, threshers have garner'd it,
Barns must be filled up indeed, indeed, indeed!
"Are you glad we have come with a flitter and twitter
Once more on the housetop to meet, to meet, to meet?
Make haste little primroses, cowslips, and daisies, we're
Longing your faces to greet, to greet, to greet!"
—Trans.
"Yes, that's what you are singing. Good-bye," and waving her hand towards them again, she turned her face to the boggy moor, picking her way over the stepping-stones which led up to the dryer sheep paths.
The golden marsh marigolds glittered around her, the beautiful bog bean hung its pinky white fringe over the brown peat pools, the silky plumes of the cotton grass nodded at her as she passed, and the wind whispered in the rushes the secrets of the sea.
Morva listened with a smile, a brown finger up-raised. "Yes, yes, I know what you are singing too down there in the rushes, sweet west wind," she said. "Sara has told me, but I haven't time to sing the 'wind song' to-day," and reaching the sheep path which led round the mountain, she sped against the wind, her hair streaming behind her, her blue skirt fluttering in the breeze, the ball of scarlet worsted and the shining 'bacco box held high in either hand to steady her flying footsteps, Tudor barking with joy as he bounded after her and twitched at her fluttering skirts.
It was tea-time when she reached Garthowen, and, winter or summer, that was always the pleasantest hour at the farmstead, when the air was filled with the aroma of the hot tea, and the laughter and talk of the household. On the settle in the cosy chimney corner sat Ebben Owens himself, the head of the family and the centre of interest to every member of it. He possessed that doubtful advantage, the power of attracting to himself the affection and friendship of everyone who came in contact with him; his children idolised him, and Morva was no whit behind them in her affection for him. In spite of his long grizzled locks, and a slight stoop, he was still a hale and hearty yeoman under his seventy years. His cheeks bore the ruddy hue of health, his eyes were still bright and clear, the lines of his mouth expressed a gentle and sensitive nature. It was by no means a strong face, but its very weakness perhaps accounted for the protecting tenderness shown to him by all his family. As he sat there in the shadow of the settle it was easy to understand why his children were so devotedly attached to him, and why he bore the reputation of being the kindest and most good-natured man in Pont-y-fro and its neighbourhood. Ann, his only daughter, was looking smilingly at him from the head of the table, her smooth brown hair parted over her madonna-like brows, her brown eyes full of laughter. Opposite to her, at the bottom of the table, sat Gwilym Morris, preacher at the Calvinistic Methodist chapel, down in the valley by the shore. He had lived at Garthowen for many years as one of the family, being the son of an old friend of Ebben Owens. Having a small—very small—income of his own, he was able to devote his services to the chapel in the valley, expecting and receiving nothing in return but a pittance, for which no other minister would have been willing to work. He was a dark, pale man, of earnest and studious appearance, of quiet manners, and rather silent, but often seeking the liquid brown eyes which lighted up Ann's gentle face.
"Tis the only time father is cross when he has lost his 'bacco box," said Ann, laughing; "but then he is as cross as two sticks."