At the far end of the entrance cavern two doors side by side still bore the name of artists, one of whom had lately blossomed into an Academician and been transplanted to the sunnier region of Bedford Park, while the other had exchanged the brush for some more promising weapon in what, I fear, had been a losing fight with Fortune. Only the initiated knew that the door still bearing the name of J. Loftus, A.R.A., was now that of the Domino Club; while its companion, from which the name of Yelverton had been roughly effaced, served as a back door for the use of the tradesmen and servants of the club, and also for such members as had reasons of their own for not coming through the streets in fancy costume. For their benefit a row of small dressing-rooms had been fitted up, in which they could transform themselves from sober moths into bright artificial butterflies and back again.
In front of the club entrance an officer in plain clothes was stationed who recognized Sir Frank with a respectful salute.
“You will find Inspector Charles inside, sir,” he said, opening the door for us.
We found ourselves in a dark narrow passage empty of everything but cloak- and hat-pegs. A door at the further end opened straight into the dancing-room.
The former studio had been decorated in a fashion evidently meant to recall the Arabian Nights Entertainment. Vistas of Moorish arches and fountains playing among palms and oleanders had been painted on the walls. At intervals wooden columns had been set up to support curtains of gauze embroidered so as to afford a half concealment to the nooks that they enclosed. The whole place was still suffused with the lurid glow of a series of red lanterns hanging from the roof. But a glass door at the further end had been thrown open to admit the daylight, and where it reached the crimson glow became haggard and spectral and the whole place had the air of an old woman’s face from which the paint had peeled in streaks, revealing the wrinkles and sharp bones beneath.
Inspector Charles, tall, upright, and looking the personification of law and order, stood beside one of the curtained alcoves close to the garden door, and invited us with a solemn gesture to approach.
This was the moment I had been dreading. I endeavoured to keep my face passive, and give no sign of recognition, as I came behind my chief and took my first glance at the spectacle the Inspector had to show us.
Within the curtains, stretched at full length on a low divan, was a figure attired as an Inquisitor. The black robe was folded carefully round him, but the peaked hood with its two eye-slits had been thrust back over the head, so that the face was fully exposed. It was a striking face in every way, the face of a man of fifty or thereabout in the full possession of his powers. The forehead was intellectual; the eyes, wide open but glazed in the death stare, must have been full and penetrating in life; the nose and chin were strongly carved; only the lips showed a certain looseness, as of over-ripened fruit, that seemed to hint at something evil underlying the dignity and strength manifested in the rest of the face.
I scanned that prostrate figure with painful curiosity. The costume was only too familiar; I had had ample opportunity of observing it during the night that had just elapsed. But the face was as strange to me as it was to either of the other two who stood and gazed beside me. Even the eyes, unnaturally dilated by the drug, seemed to bear little likeness to those that had peered through the holes in the black hood when I last looked on the sombre shape in life.
The Inspector spoke briefly, addressing himself to my companion.