“Wait, Charlotte,” interrupted D’Argenton; “he must decide for himself: I wish to force no one.”
Jack, petrified at hearing his mother called Charlotte, and unable to find words to express his sense of such generosity, ended by saying nothing. Seeing the child’s embarrassment, his mother gently pushed him into the poet’s arms, who pressed a theatrical kiss on his brow.
“Ah, dear, how good you are!” murmured the poor woman, while the child, dismissed by an imperative gesture, hastily ran down the stairs.
In reality Jack’s installation in the house was a relief to the poet. He loved Ida, whom he called Charlotte in memory of Goethe, and also because he wished to obliterate all her past, and to wipe out even the name of Ida de Barancy. He loved her in his own fashion, and made of her a complete slave. She had no will, no opinion of her own, and D’Argenton had grown tired of being perpetually agreed with. Now, at least, he would have some one to contradict, to argue with, to tutor, and to bully; and it was in this spirit that he undertook Jack’s education, for which he made all arrangements with that methodical solemnity characteristic of the man’s smallest actions.
The next morning, Jack saw, when he awoke, a large card fastened to the wall, and on it, inscribed in the beautiful writing of the poet, a carefully prepared arrangement for the routine of the day.
“Rise at six. From six to seven, breakfast; from seven to eight, recitation; from eight to nine,” and so on.
Days ordered in this systematic manner resemble those windows whose shutters hardly permit the entrance of air enough to breathe, or light to see with. Generally these rules are made only to be broken, but D’Argenton allowed no such laxity.
D’Argenton’s method of education was too severe for Jack, who was, however, by no means wanting in intelligence, and was well advanced in his studies. He was disturbed, too, by the personality of the poet, to whom he had a very strong aversion, and above all he was overwhelmed by the new life he was leading.
Suddenly transported from the mouldy lane, and from the academy, to the country, to the woods and the fields, he was at once excited and charmed by Nature. The truest way would have been to have laid aside all books until the child himself demanded them. Often of a sunny day, when he sat in the tower opposite his teacher, he was seized with a strong desire to leap out of the window, and rush into the fresh woods after the birds that had just flown away, or in search of the squirrel of which he had caught a glimpse. What a penance it was to write his copy, while the wild roses beckoned him to come and pluck them!
“This child is an idiot,” cried D’Argenton, when to all his questions Jack stammered some answer as far from what he should have said as if he had that moment fallen from the light cloud he had been steadily watching. At the end of a month the poet announced that he relinquished the task, that it was a mere loss of precious time to himself, and of no use to the boy, who neither could nor would learn anything. In reality, he was by no means unwilling to abandon the iron rules he had established, and which pressed with severity on himself as well as on the child. Ida, or rather Charlotte, made no remonstrance. She preferred to think her boy incapable of study rather than endure the daily scenes, and the incessant lectures and tears of this educational experiment.