The collection of Mademoiselle du Mesnil-Case, a name disclosed by Albin Fage only under solemn promise of secrecy, proved to be an inexhaustible treasure of papers relating to the sixteenth and seventeenth centuries, which threw all sorts of interesting lights upon the past, and sometimes, by a word or a date, overturned completely the established opinions about facts or persons. Whatever the price, Léonard Astier took and kept every one of the documents, which almost always fitted in with his commenced or projected works. Without a shadow of doubt he accepted the little man’s account of the masses of originals that were still accumulating dust in the attic of an ancient mansion at Ménilmontant. If, after some venomous criticism from ‘the first collector’ in France, his trust was slightly disturbed the suspicion could not but vanish when the book-binder, seated at his table or watering his vegetables in the quiet grass-grown yard, met it with perfect composure, and offered in particular a quite natural explanation of certain marks of erasure and restoration, visible on some of the pages, as due to the submergence of the collection in sea-water, when it was sent to England during the emigration. After this fresh assurance Astier-Réhu would go back to the gate with a lively step, carrying off each time a purchase for which he had given, according to its historical value, a cheque for twenty, forty, or even as much as eighty pounds.
These extravagances, unsuspected as yet by those around him, were prompted, whatever he might say to quiet his conscience, not so much by the motives of the historian as by those of the collector. This, even in a place so ill-adapted for seeing and hearing as the attic in the Rue de Beaune, where the bargains were usually struck, would have been patent to any observer. The tone of pretended indifference, the ‘Let me see’ muttered with dry lips, the quivering of the covetous fingers, marked the progress from passion to mania, the growth of the hard and selfish cyst, which was feeding its monstrous size upon the ruin of the whole organism. Astier was becoming the intractable Harpagon of the stage, pitiless to others as to himself, bewailing his poverty and riding in the omnibus, while in two years nearly 6500L. of his savings dropped secretly into the pocket of the humpback. To account to Madame Astier, Corentine, and Teyssèdre for the frequent visits of the little man, he received from the Academician pamphlets to bind, which he took away and brought back ostentatiously. They corresponded by a sort of private code. Fage would write on a post-card, ‘I have some new tooling to show you, sixteenth century, in good condition and rare.’ Astier would temporise: ‘Not wanted, thanks. Perhaps later.’ Then would come ‘My dear Sir, Do not think of it. I will try elsewhere,’ and to this the Academician invariably answered ‘Early to-morrow morning. Bring the tooling.’ Here was the torment of the collector’s pleasure. He must buy and buy, or else let pass to Bos, Huchenard, or some other rival the treasures of Ménilmontant. Sometimes the thought of the time when money must fail would put him into a grim rage, and infuriated by the calm, self-satisfied countenance of the dwarf, he would exclaim ‘More than 6400L. in two years! And still you say, the lady is in want of money! How on earth does she get rid of it? ‘At such moments he longed for the death of the old maid, the annihilation of the bookbinder, even a war, revolution, or general catastrophe, which might swallow up both the treasure and the relentless speculators who worked it.
And now the catastrophe was indeed near, not the catastrophe desired, for destiny never finds to her hand precisely the thing we asked for, but a turn of things so sudden and appalling as to threaten his work, his honour, fortune, and fame, all that he was and all that he had. As he strode away towards the Cour des Comptes, deadly pale and talking to himself, the booksellers and print-dealers along the quay scarcely recognised the Astier-Réhu who, instead of looking right into the shop for a bow, now passed them without recognition. To him neither person nor thing was visible. In imagination he was grasping the humpback by the throat, shaking him by his pin-bespangled scarf, and thrusting under his nose the autographs dishonoured by the chemistry of Delpech, with the question, ‘Now then, what is your answer to that?’
When he reached the Rue de Lille, he dashed through the door of rough planks in the fence which surrounds the ruins, went up the steps, and rang the bell once and again. He was struck by the gloomy look of the building, now that no flowers or greenery covered the nakedness of the gaping, crumbling masonry and the confusion of the twisted iron-work and leafless creepers. The sound of pattens came slowly across the chilly court, and the caretaker appeared, a solid woman, who, broom in hand and without opening the gate, said, ‘You want the bookbinder; but he isn’t here now.’ Not here! Yes, Fage had gone, and left no address. In fact, she was just cleaning up the cottage for the man who was to have the appointment to the Cour des Comptes, which Fage had resigned.
Astier-Réhu, for appearance’ sake, stammered out a word or two, but his voice was lost in the harsh and mournful cries of a great flight of black birds, which made the arches echo as they descended upon the court. ‘Why, here are the Duchess’s rooks!’ said the woman, with a respectful wave of the hand towards the bare plane-trees of the Hôtel Padovani, visible over the roof opposite. ‘They are come before the Duchess this year, and that means an early winter!’
He went away, with horror in his heart.
CHAPTER XII.
The day following that on which the Duchess Padovani, to show herself smiling under the blow which had fallen upon her, had appeared at the theatre, she went, as she usually did at that time of year, to Mousseaux. She made no change in her plans. She had sent out her invitations for the season, and did not cancel them. But before the arrival of the first instalment of visitors, during the few days’ solitude usually spent in superintending in detail the arrangements for entertaining her guests, she passed the whole time from morning to night in the park at Mousseaux, whose slopes stretched far and wide on the banks of the Loire. She would go madly along, like a wounded and hunted animal, stop for a moment from exhaustion, and then at a throb of pain start off again. ‘Coward! coward! wretch!’ She hurled invectives at the Prince as though he had been by her side, and still she walked with the same fevered tread the labyrinth of green paths which ran down in long shady windings to the river. Here, forgetting her rank and her position, flinging off her mask and able to be natural at last, she would give vent to her despair, a despair perhaps something less than her wrath, for the voice of pride spoke louder within her than any other, and the few tears which escaped her lids did not flow, but leaped and sparkled like flames. Revenge, revenge! She longed for a revenge of blood, and sometimes pictured one of her foresters, Bertoli or Salviato, going off abroad to put a bullet into him on his wedding-day. Then she changed her mind. No, she would deal the blow herself, and feel the joy of the vendetta in her own grasp. She envied the women of lower class who wait behind a doorway for the traitor, and fling in his face a bottle full of vitriol with a storm of hideous curses. Why did she not know some of the horrible names that relieve the heart, some foul insult to shriek at the mean treacherous companion who rose before her mind with the hesitating look and false constrained smile he wore at their last meeting? But even in her savage Corsican patois the great lady knew no ‘nasty words,’ and when she had cried ‘Coward! coward! wretch!’ her beautiful mouth could only writhe in helpless rage.
In the evening after her solitary dinner in the vast hall, whose panelling of old leather was gilt by the setting sun, her wild pacing to and fro began again. Now it was on the gallery overhanging the river, quaintly restored by Paul Astier, with open arcades like lace-work and two pretty corbel-turrets. Below on the Loire, outspread like a lake, there still lingered a delicate silvery light from the departing day, while the hazy evening air exaggerated the distances between the willow beds and islands out towards Chaumont. But poor Mari’ Anto did not look at the view when, worn out with retracing the steps of her grief, she leant both elbows on the balustrade and gazed into the dimness. Her life appeared before her, waste and desolate, at an age when it is difficult to make a fresh start. A faint sound of voices rose from Mousseaux, a group of two or three small houses on the embankment; the chain of a boat creaked as the night breeze rose. How easy it would be! Grief had bowed down her head so low, that if she were but to lean forward a little farther.... But then what would the world say? A woman of her rank and age could not kill herself like any little grisette! The third day Paul’s note arrived, and with it the newspapers’ detailed report of the duel. It gave her the same delight as a warm pressure of the hand. So some one still cared for her, and had wanted to avenge her at the risk of his life! Not that Paul’s feeling was love, she supposed, but only a grateful affection, the reminiscence of kindnesses done by her to him and his family, perhaps an imperative desire to atone for his mother’s treachery. Generous, brave fellow! If she had been in Paris, she would have gone to him at once, but as her guests were just due, she could only write and send him her own doctor.