They exchanged these words as they walked along, pushed by the crowd which flocked like sheep through the door of exit. Moëssard stopped:
"That is your last word?"
The Nabob hesitated a second, seized by a presentiment of evil at sight of that pale, wicked mouth; then he remembered the promise he had given his friend.
"That is my last word."
"Very well, we will see," said Beau Moëssard, while his cane cleft the air with a noise like a snake's hiss; and, turning on his heel, he strode rapidly away like a man who has very important business awaiting him.
Jansoulet continued his triumphal march. On that day it would have required something much more serious to disturb the equilibrium of his happiness; on the other hand he felt encouraged by the beginning so successfully accomplished.
The great vestibule was filled with a compact crowd, whom the approach of the hour for closing impelled toward the outer world, but whom one of the sudden downpours which seem an essential part of the opening of the Salon detained under the porch with its floor of hard-trodden gravel, like the entrance to the Circus where the lady-killers disport themselves. It was a curious, thoroughly Parisian spectacle.
Outside, the sunbeams shining through the rain, attaching to its limpid threads those sharp, brilliant blades of light which justify the proverb "It rains halberds;" the young verdure of the Champs-Élysées, the clumps of dripping, rustling rhododendrons, the carriages drawn up in line on the avenue, the oilcloth capes of the coachmen, all the splendid accoutrements of the horses to which the water and the sunbeams imparted vastly greater richness and effect, and everywhere a gleam of blue, the blue of the sky, smiling in the interval between two showers.
Within, laughter, idle chatter, salutations, impatience, skirts turned up, satins puffing vaingloriously over the narrow pleats of petticoats and delicately striped silk stockings, oceans of fringe, of lace, of flounces, held with one hand in too heavy bundles, and torn beyond recognition. Then, to connect the two sides of the picture, the prisoners framed by the arched doorway and standing in its dark shadow, with the vast background of light behind them, footmen running about under umbrellas, shouting names of coachmen and names of masters, and coupés slowly approaching, into which terrified couples hastily jump.
"Monsieur Jansoulet's carriage!"