He has his theatre (that is to say, he has his amateur theatricals) about which a glamour of mystery and adventure is shed by the fact the greater part of the répertoire is under the ban of the censorship. Entrance to the performances is by invitation only and free. It is thus the law is evaded, a fixed and obligatory cloak-room charge replacing the fee of admission.
The Maison du Peuple of the rue Ramey, which calls itself socialistic from motives of prudence, has a permanent band of actors (le Théâtre Social) on the border line between professionals and amateurs, who give evening and matinée performances nearly every Sunday throughout the winter and spring, and who occasionally go upon the road.
A single announcement will suffice to explain the operations of this and all similar troupes:—
“Théâtre Social.
Maison du Peuple de Paris, 47 rue Ramey (4, impasse Pers).
“Camarades,
“Before its departure for Belgium, where it is going to give a series of representations of its great success, L’Exemple, the Théâtre Social has decided to give two other representations (evening and matinée) of the piece of Chéri-Vinet, at the Maison du Peuple, in order to accommodate the camarades of the suburban districts.
“We invite you, then, camarades, to assist at the third and fourth representations (strictly private) of L’Exemple, interdicted by the Censorship, the unpublished revolutionary drama in 4 acts and 5 tableaux, which will be given Sunday, the 31st of March, at two o’clock and at half-past eight sharp.
“L’Exemple will be preceded by En Famille, a piece by Méténier in one act.
“Obligatory cloak-room fee, ten sous.