A Little Girl in Old New York

by Amanda M. Douglas

So Hannah Ann it was, and the little girl began life with a bank account. She was a grave, sweet, dainty sort of baby, with wondering eyes of bluish violet, bordering on gray. I think myself that she should have had a prettier name, but people were not throwing away even two-hundred-dollar chances in those days. Neither had they come to Ediths and Ethels and Mays and Gladys. And they barbarously shortened some of their most beautiful names to Peggy and Betsey and Polly and Sukey.

Left to herself the little girl went on with her patchwork, and recalled her visit to the city. There were so many aunts and cousins and so many wonderful things to see. She must find out whether there would be any snow and sleighrides in the winter. As for fruit and vegetables and eggs and poultry the farmers were always sending them in to the city, she knew that.

The prospect of a removal from Yonkers, where they had always lived, was not so new to the elders. Stephen was in New York nearly all the week now. Joseph was studying for a doctor. John was not in love with farming and had a great taste for mechanical pursuits. Margaret, a tall, fair girl of seventeen, was begging to be sent away to school another year, and learn some of the higher branches people were talking about. Joe thought she should. Her father was quite sure she knew enough, for she could do all the puzzling sums in "Perkins' Higher Arithmetic," and you couldn't trip her up on the hardest words. She went to a very good school in the village. And the village was quite primitive in those days. The steamboat-landing was the great focus of interest. It was all rock and hills and a few factories were plodding along. The farm was two good miles away.

The young people thought it a most auspicious turn in affairs that Uncle Faid was coming back. His real name was Frederic. Since David had his grandfather's farm, this had been divided between the two remaining sons, but Frederic had been seized with the Western fever and gone out to what was called the new countries. His sons had married and settled in different places, one daughter had married and come East to live, and Uncle Faid was homesick for the land of his youth.

Mrs. Underhill had declared at first, "She wouldn't stir a step. 'Milyer could buy out his brother's part in the house"—the two hundred acres had been already divided. But people had begun to complain even then that farming did not pay, and John wanted to learn a trade. And if three or four went out of the old home nest! Steve wanted his father in New York. If they were not satisfied they could come back and build a new house. And presently she began to think it best even if she didn't like it.

The little girl finished her block of patchwork, pinched and patted down the seams, and laid it on the pile. Her "stent" for that day was done. There were nine more blocks to make.

There was a wide half closet beside the chimney and she had the top shelf for her own. It was so neat that it looked like a doll's house. Her only doll had been a "rag baby," and Gip, the dog, had demolished that.

"Never mind," said her mother, "you are too big to play with dolls." But the little girl in New York was almost a year older, and she had a large wax doll with "truly" clothes that could be taken off and washed. If she went to the city she might have one.

She piled up her patchwork with a sense of exultation. She was extremely neat. There was a tiny, hair-covered trunk grandmother Van Kortland had given her full of pretty chintz and calico pieces. She kept her baby shoes of blue kid that were outgrown before they were half worn out, so choice had her mother been of them. There were some gift-books and mementos and a beautiful Shaker basket Stephen had given her at Christmas. It was round, so she imagined you put something in it and shook it, for she had no idea the Shakers were a community and made dainty articles for sale, even if they discarded all personal vanities.

She went through to the next room, which was the kitchen in winter and dining-room in summer. She took down her blue-and-white gingham sun-bonnet, and skipped along a narrow path through the grass to the summer kitchen. This was a short distance from the house, a big, square room with a door at each side, and smoky rafters overhead. The brick and stone chimney was built inside, very wide at the bottom and tapering up to the peak in the roof. There was a great black crane across it, with two sets of trammels suspended from it, on which you could hang two kettles at the same time. If you have never seen one, get Longfellow's beautiful illustrated poem, "The Hanging of the Crane." A great many old country houses had them, and they were considered extremely handy.