"I should suppose the servants might be trusted, and surely Marcia knows enough to order a meal. You do need a holiday. Come, just think you can go. I shall be in the city a good deal the next month, and as Freilgrath has a domicile of his own—yes, you must answer this immediately."
She has a few other flimsy objections, but Floyd demolishes everything, and almost threatens to write for her. There is no reason why they should not all be good friends, even if he has married another person; and he has a real desire to see Madame Lepelletier. He wants to smooth out some little roughnesses that rather annoy him when he thinks of them.
So Mrs. Grandon writes that Floyd will bring her down at the required date. Then madame has not miscalculated.
She goes to a reception at the Vandervoorts', to a charming tea at the Latimers'. People are talking about Freilgrath and Mr. Grandon, and some new discoveries, as well as the general improvement in science and literature. There is an "air" about the "house Latimer" very charming, very refined, and madame fits into it like the frontispiece to a book, without which it would not be quite perfect. "What an extremely fascinating woman!" is the general comment.
Mrs. Grandon has been flurried and worried up to the last moment. She is afraid her gowns are passé, that she looks old for her years, and that her prestige as Mrs. James Grandon is over forever. But the instant she steps into the hall at madame's the nervousness falls away like an uncomfortable wrap. The air is warm and fragrant, but not close, the aspect of everything is lovely, cosey, restful. A figure in soft array comes floating down the stairs.
"I am delighted," madame says, in the most seductive tone of welcome. Then she holds out her hand to Floyd; looks at the waiter, and orders the trunk to be taken up stairs. "I was afraid you would repent at the last moment, or that something untoward might happen," she continues. "Will you sit down a moment," to Floyd, "and excuse us, just for the briefest space?"
She waves him to the nearest of the suite of rooms with her slender hand, and escorts Mrs. Grandon up to her chamber adjoining her own, and begins to take off her wraps as a daughter might, as Mrs. Grandon's daughters never have done. The attention is so delicate and graceful.
Floyd meanwhile marches around the room in an idle man fashion. It is in itself a fascination, perhaps not altogether of her choosing, but the fact of her taking it at all presupposes her being in some degree pleased. The art was all there, doubtless, but madame has left her impress as well in the little added touches, the vase where no one expected it, the flowers that suggested themselves, played a kind of hide-and-seek game with you through their fragrance, the picture at a seductive angle of light, the social grouping of the chairs, the tables with their open portfolios. He half wishes some one could do this for the great house up at the park, give it the air of grace and interest and human life.
Madame Lepelletier comes down in the midst of these musings, alone. They might have parted yesterday, the best and most commonplace friends, for anything in her face. He has an uneasy feeling, as if an explanation was due, and yet he knows explanations are often blunders.
"It was very kind of you to think of taking mother out of her petty daily round," he says. "Let me thank you!"