There is an exquisite timidity in her voice, the touch of deference to the husband's wishes that cannot but be flattering. She will go if he desires it. He has only to speak. He remembers some one else who never considered his pleasure or desire.
"My child, no!" and he folds her to his heart. "She wants you to come, some time; she has spoken of it."
"I should like this to be just between us." There is the loveliest little inflection on the plural. "And I should like to go there, too."
"Then it shall be just between us." Something in his eyes makes the light in hers waver and go down; she trembles and would like to run away, only he is holding her so tightly.
"What is it?" he asks, with a quick breath.
Ah, if she had known then, if he had known, even! He had never watched the delicate blooming of a girl's heart and knew not how to translate its throbs. He kisses her in a dazed way, and no kisses were ever so sweet.
"Well," he says, presently, "we will let Cecil go over to Denise in the morning"—he can even put his child away for her—"and keep our own secret."
It is delicious to have a secret with him. She dreams of it all the long evening; he is looking over some proofs with the professor. And she can hardly conceal her joy the next morning; she feels guilty as she looks Gertrude in the face.
The city is very gay this Saturday morning. They look in some shop windows, they go to a tempting lunch, and then enter the charming little theatre, already filling up with beautifully dressed women and some such exquisite young girls. She wishes for the first time that she was radiantly beautiful; she does not dream how much of this is attire, well chosen and costly raiment.
She listens through the overture; she is not much moved during the first act. Miss Neilson is pretty and winsome in her quaint dress, with her round, white arms on her nurse's knee, looking up to her eyes; she is respectful to her stately mother, and she cares for her lover. The lights, the many faces about her, the progress of the play interest, but it is when she comes to the balcony scene that Violet is stirred. The longing, lingering love, the good night said over and over, the lover who cannot make parting seem possible, who turns again and again. She catches the tenderness in Miss Neilson's eyes; ah, it is divine passion now, and she is touched, thrilled, electrified. She leans over a little herself, and her pure, innocent young face, with its dewy eyes and parted, cherry-red lips are a study, a delight. One or two rather ennuied-looking men watch her, and Floyd forgives them. It seems to him he has never seen anything more beautiful. The unconscious, impassioned face, with its vivid sense of newness, its first thrilling interest, indifferent to all things except the young lovers, steady, strong, tender, sympathetic. Even women smile and then sigh, envying her the rapt delight of thus listening.