"Well, don't you break the young man's heart. I have a regard for him myself."
Pauline Murray laughs lightly.
"And keep your own in a good condition," advises her father.
But as they stand together on the porch bidding him good by, they appear quite to belong to each other. Mr. Murray understands him pretty well. He has no great inclination for business, but he seems to have no special vices, and can be easily governed by a liberal indulgence in money matters. There might be worse sons-in-law. The Grandons are a good old family, and carry weight, and Mr. Murray, whose taste is altogether for manufacturing, fancies he sees in this business both interest and profit. So if Polly and the young man decide to like each other—
Eugene Grandon would no doubt fly out indignantly if he fancied his matrimonial matters were being settled by older and as they think wiser heads. For once he is fortunately blind. He likes Pauline Murray because, if she is not the rose, she brings the scent of it continually within his reach. Every day Violet grows more charming and the distance between them lessens. He thinks nothing now of looking her up, of following her about, of planning drives and walks, and while the heads are away, he is cavalier to both ladies. They discuss various tender points and come to love. Eugene no longer sneers and treats it lightly. Violet is touched by the gentle lowering of tone, the faint hesitation, the softness that comes and goes over his face, the dreamy smile, the far light in his eyes, as if his brain was richly satisfied with some vision. This is love, she thinks, exultantly. Mr. and Mrs. Latimer must have had just this blessed experience, but no other marriage, not even Gertrude's, comes up to her ideal. And to think that hundreds must go through the world without this greatest, finest of all joys. She pities them, she pities herself profoundly. There are moments when it seems as if she must throw herself at her husband's feet and tell him that she is famishing for this divine food. And yet in their brief seasons together she grows cold, distant, afraid. She cannot even feel as she did when her ankle was hurt and he so tenderly indulgent. She esteemed that as love, but she knows better now, sad, sad wisdom!
Yet there is something fascinating in this double life she leads. It must be what people take when their great hopes are gone. The diversions of society, the threads of others' lives, the curious, dangerous study of the feelings and emotions of those about her. Only a year ago she was such an ignorant little body, now she is so wise, and she sighs over it.
The days are crowded full of enjoyment. Mrs. Latimer gives the loveliest tea and the most enchanting musicale with amateurs. Violet is asked to play, and proposes that Eugene and Miss Murray distinguish themselves in a duet from "Don Pasquale," which they sing admirably. Pauline Murray has a soprano voice, with brilliant execution.
"I do believe," exclaims Mrs. Latimer, studying Violet, "that you will equal madame as a society woman. I am not sure that I shall admire the cultivated pansy as much as the shy, sweet wood violet, but perhaps it is better. We women with distinguished husbands must keep pace in attractiveness, or the world will take them from us in its sweeping admiration."
"I never did have such a lovely time!" Pauline Murray says, after the musicale. "And you know I never should have thought of Robin Adair for an encore if it had not been for Eugene." She has come to the young man's Christian name. "Wasn't it a perfect success? I never sang it so well in my life. If papa could have heard it!" And she hums over a stanza,—
"After the ball was o'er