"Well, Miss Barry, I don't know much about the big, outside questions; but, going around Yerbury a little this winter, I shouldn't say the work was all done up; or, done in such a poor, thrown-together way, that it tumbles right to pieces again. There's skewy, ill-made beds with ragged counterpanes; there's shreds of old ingrain-carpets, that you fall over; there's broken chairs, and shabby clothes, and dirty corners,—work enough, I should say, to last some woman an hour or two. She might get out her pieces of calico, and, with the children's help, make a new spread, maybe a tidy apron, and she might braid a rag mat out of bits, and a hundred things that go toward comfort. No: all the work isn't done up yet, Miss Sylvie," and Jane Morgan stopped just then, to knit the seam-stitch in a stocking for a poor body.
Sylvie threw herself on the footstool, and leaned her arms on Miss Morgan's knee.
"I wasn't thinking so much of that when I spoke," she began earnestly; "but I do wonder if some of us couldn't take it up. There are art-schools, and music-schools, and cooking-schools, in the great cities; and why couldn't we start something of the kind here? Poor people—the real poor, I mean—are often wasteful and idle because they do not just know how to be any thing else. They buy cheap garments in stores, and they soon come apart. I had a sewing-school last summer, and I found some mothers didn't seem to care whether their children learned or not,—since there was so much sewing done by machines. But if the mothers could be taught a little"—
"That's about the upshot of what I said. You see, Miss Barry, people have been earning so much money of late years, that sewing has gone out of fashion. It didn't pay to do this or that, so they earned and spent. Now they sit listless in their dirt and rags, bemoaning hard times. It is good to know how to do more than one thing," and Miss Morgan nodded her head confidently, her strong face full of earnestness.
"Why can't you and Sylvie start a school—what shall we call it?—of useful and homely arts? You see, the girls do work in the mills and shops until they get married, and then they do not know how to make the best of their husbands' money. But don't crowd out all the beauty and the pleasure; there must be something to enlist the heart. Give a man an interest in a thing, and you awake a new feeling, an enthusiasm that makes every thing go as smoothly as oiling up machinery."
"I have often thought," said Mrs. Darcy in her soft, gentle voice, "that the poor did not get as much good of their money as the better classes, because they never have enough to buy advantageously, and store-keepers so often take the advantage of them. Now, yesterday I was over to Mrs. Hall's, and the poor thing was trying to make some bread, and she was not fit to stand up and knead it; so I thought I'd try. The flour was heavy and sticky and lumpy, and what I should call very unprofitable. No one could make good bread out of it. She said they traded at Kilburn's, because he would wait if they did not have the money. The flour was seven and a half a barrel; the eighth, ninety-five cents; and I do not believe the bread was fit to eat. So you must remember, when you blame people for poor cooking, that they may not always have decent materials to work with."
"Maverick was growling about Kilburn the other evening. It is a shame that he should sell such poor goods, when prices have come down a good deal."
"Can you not reform him a little?" and Mrs. Darcy smiled.
"Cousin Jane and Sylvie might go into business, as did the poor weavers of Toad Lane, with their sack of oatmeal, firkin of butter, a little sugar and flour," said Jack laughingly. "A fair division of labor. The men of Yerbury shall provide work, and the women shall train the inefficient how and where to spend money."
Sylvie glanced up with bright, inquiring eyes.