Graham’s heart sank. He had expected to have dinner with Kopeikin, but he had been promising himself that about ten o’clock he would have a hot bath and go to bed with a Tauchnitz detective story. The last thing he wanted to do was to “amuse” himself at Le Jockey Cabaret, or any other night place. He said, as they followed the porter out to Kopeikin’s car: “I think that perhaps I ought to get to bed early to-night, Kopeikin. I’ve got four nights in a train in front of me.”
“My dear fellow, it will do you good to be late. Besides, your train does not go until eleven to-morrow morning, and I have reserved a sleeper for you. You can sleep all the way to Paris if you feel tired.”
Over dinner at the Pera Palace Hotel, Kopeikin gave war news. For him, the Soviets were still “the July assassins” of Nicholas the Second, and Graham heard much of Finnish victories and Russian defeats. The Germans had sunk more British ships and lost more submarines. The Dutch, the Danes, the Swedes and the Norwegians were looking to their defences. The world awaited a bloody Spring. They went on to talk about the earthquake. It was half-past ten when Kopeikin announced that it was time for them to leave for Le Jockey Cabaret.
It was in the Beyoglu quarter; just off the Grande Rue de Pera, and in a street of buildings obviously designed by a French architect of the middle nineteen twenties. Kopeikin took his arm affectionately as they went in.
“It is a very nice place, this,” he said. “Serge, the proprietor, is a friend of mine, so they will not cheat us. I will introduce you to him.”
For the man he was, Graham’s knowledge of the night life of cities was surprisingly extensive. For some reason, the nature of which he could never discover, his foreign hosts always seemed to consider that the only form of entertainment acceptable to an English engineer was that to be found in the rather less reputable Nachtlokalen. He had been in such places in Buenos Aires and in Madrid, in Valparaiso and in Bucharest, in Rome and in Mexico; and he could not remember one that was very much different from any of the others. He could remember the business acquaintances with whom he had sat far into the early morning hours drinking outrageously expensive drinks; but the places themselves had merged in his mind’s eye into one prototypical picture of a smoke-filled basement room with a platform for the band at one end, a small space for dancing surrounded by tables, and a bar with stools, where the drinks were alleged to be cheaper, to one side.
He did not expect Le Jockey Cabaret to be any different. It was not.
The mural decorations seemed to have caught the spirit of the street outside. They consisted of a series of immense vorticisms involving sky-scrapers at camera angles, coloured saxophone players, green all-seeing eyes, telephones, Easter Island masks, and ash-blond hermaphrodites with long cigarette holders. The place was crowded and very noisy. Serge was a sharp-featured Russian with bristly grey hair and the air of one whose feelings were constantly on the point of getting the better of his judgment. To Graham, looking at his eyes, it seemed unlikely that they ever did: but he greeted them graciously enough, and showed them to a table beside the dance floor. Kopeikin ordered a bottle of brandy.
The band brought an American dance tune, which they had been playing with painful zeal, to an abrupt end and began, with more success, to play a rumba.
“It is very gay here,” said Kopeikin. “Would you like to dance? There are plenty of girls. Say which you fancy and I will speak to Serge.”