“I see.” George tried to picture the scene.
He saw a shabby room in Essen and an elderly bookkeeper sitting there pushing dog-eared photographs one by one across the table to where his son’s wife could see them as she sat bent over her needlework.
How the man’s heart must have beat as he watched her face! His mind must have seethed with questions and doubts.
Would she smile or would she pretend to be shocked? She was sitting still, absolutely still, and she had stopped working. Soon she would smile, for certain. He could not see her eyes. After all, there was nothing wrong in a little private joke between a father and daughter-in-law, was there? She was a grown-up woman and knew a thing or two, didn’t she? She liked him, he knew. All he wanted to do was show her that he wasn’t too old for a bit of fun and that, even if Johann was no good, there was one man about the house for her to turn to. And now the last photograph, the sauciest of the lot. An eye-opener, eh? Good fun? She still hadn’t smiled, but she hadn’t frowned either. Women were funny creatures. You had to choose your moment; woo gently and then be bold. She was slowly raising her head now and looking at him. Her eyes were very round. He smiled and said what he had planned to say-that subtle remark about new pictures being better than old. But she did not smile back. She was getting to her feet and he could see that she was trembling. With what? Excitement? And then, suddenly, she had let out a sob of fear and run from the room out to the workshop where Johann was decarbonizing that Opel taxi. After that, everything had become a nightmare, with Johann shouting at and threatening him, and Ilse weeping, and the boy Franz standing there listening, white-faced, not understanding what it was all about; only knowing that in some way the world was coming to an end.
Yes, George thought, a pretty picture; though probably an inaccurate one. Still, it was the sort of scene about which nobody could ever be quite accurate; least of all, those who had taken part in it. He would never know what had really happened. Not that it mattered very much. Friedrich, Johann, and Ilse, the principal actors, were certainly dead. And Franz? He glanced at Miss Kolin marching along beside him.
“Do you think Franz is dead?” he asked.
“The evidence seemed conclusive. Did you not think so?”
“In a way, yes. If the man had been a friend of mine and had a wife and family he was fond of back home, I wouldn’t try to kid his wife that he might still be alive. And if she were crazy enough to go on believing that he wasn’t dead, I’d tell her as gently as I could to face the facts. But this is different. If we took the evidence we’ve got to court and asked for leave to presume Franz Schirmer dead, they’d laugh at us.”
“I do not see why.”
“Look. The man’s in a truck ambushed by these guerrillas. That Lieutenant comes along some time afterwards and has a look at the scene. There are lots of dead bodies about, but not the dead body of our man. So maybe he’s escaped and maybe he’s a prisoner. If he’s a prisoner, says the Lieutenant, then he hasn’t a hope, because the Greek guerrillas had the habit of killing their prisoners. ‘Just a minute,’ says the judge; ‘are you claiming that all Greek guerrillas operating in 1944 invariably killed all their prisoners? Are you prepared to prove that there were no cases at all of German soldiers surviving after capture?’ What does the Lieutenant say to that? I don’t know anything about the Greek campaign-I wasn’t there-but I do know that if all these guerrillas were so well trained and so well organized and so trigger-happy that no German who fell into their hands was ever smart enough or lucky enough to get away, they’d have had the Germans pulling out of Greece long before the Normandy landings. All right, then, let’s alter the wording of the evidence. Let’s say that Greek guerrillas often killed their prisoners. Now, then-”