My favorite translation of Homer is that of Pope, of whom it is the present fashion to speak disparagingly, as it is of Byron. I know all that can be said against them, and say some of it myself, but I wish their detractors had a little of their brains. I know too that Pope's translations of The Iliad and The Odyssey are rather paraphrases than translations. But I love them just the same, while wondering (with you, doubtless) what so profoundly affected Keats when he "heard Chapman speak out loud and bold." Whatever it was, it gave us what Coleridge pronounced the best sonnet in our language; and Lang's admiration of Homer has given us at least the next best. Of course there must be something in poems that produce poems—in a poet whom most poets confess their king. I hold (with Poe) that there is no such thing as a long poem—a poem of the length of an Epic. It must consist of poetic passages connected by recitativo, to use an opera word; but it is perhaps better for that. If the writer cannot write "sustained" poetry the reader probably could not read it. Anyhow, I vote for Homer.

I am passing well, but shall soon seek the mountains, though I hope to be here when Scheff points his prow this way. Would that you were sailing with him!

I've been hearing all about all of you, for Eva Crawford has been among you "takin' notes," and Eva's piquant comments on what and whom she sees are delicious reading. I should suppose that you would appreciate Eva—most persons don't. She is the best letter writer of her sex—who are all good letter writers—and she is much beside. I may venture to whisper that you'd find her estimate of your work and personality "not altogether displeasing."

Now that I'm about such matters, I shall enclose a note to my friend Dr. Robertson, who runs an insanery at Livermore and is an interesting fellow with a ditto family and a library that will make you pea-green with envy. Go out and see him some day and take Scheff, or any friend, along—he wants to know you. You won't mind the facts that he thinks all poetry the secretion of a diseased brain, and that the only reason he doesn't think all brains (except his own) diseased is the circumstance that not all secrete poetry.

* * *

Seriously, he is a good fellow and full of various knowledges that most of us wot not of.

Sincerely yours, Ambrose Bierce.

Washington, D. C.,
June 14,
1904.

My dear George,