I found a clergyman without difficulty. He was a young man occupying rooms in the same hotel, and on the same floor as myself. I had met him each day at the table d'hôte, and conversed with him once or twice in the reading-room. He was a North-countryman, had not long since taken orders, and was both gentlemanly and obliging. He promised in the readiest manner to do all that I required, and to breakfast with me at six next morning, in order that we might reach the cemetery by eight.
To find my stonemason, however, was not so easy; and yet I went to work methodically enough. I began with the Venetian Directory; then copied a list of stonemasons' names and addresses; then took a gondola a due remi and started upon my voyage of discovery.
But a night's voyage of discovery among the intricate back canaletti of Venice is no very easy and no very safe enterprise. Narrow, tortuous, densely populated, often blocked by huge hay, wood, and provision barges, almost wholly unlighted, and so perplexingly alike that no mere novice in Venetian topography need ever hope to distinguish one from another, they baffle the very gondoliers, and are a terra incognita to all but the dwellers therein.
I succeeded, however, in finding three of the places entered on my list. At the first I was told that the workman of whom I was in quest was working by the week somewhere over by Murano, and would not be back again till Saturday night. At the second and third, I found the men at home, supping with their wives and children at the end of the day's work; but neither would consent to undertake my commission. One, after a whispered consultation with his son, declined reluctantly. The other told me plainly that he dared not do it, and that he did not believe I should find a stonemason in Venice who would be bolder than himself.
The Jews, he said, were rich and powerful; no longer an oppressed people; no longer to be insulted even in Venice with impunity. To cut a Christian cross upon a Jewish headstone in the Jewish Cemetery, would be "a sort of sacrilege," and punishable, no doubt, by the law. This sounded like truth; so, finding that my rowers were by no means confident of their way, and that the canaletti were dark as the catacombs, I prevailed upon the stonemason to sell me a small mallet and a couple of chisels, and made up my mind to commit the sacrilege myself.
With this single exception, all was done next morning as I had planned to do it. My new acquaintance breakfasted with me, accompanied me to the Lido, read such portions of the burial service as seemed proper to him, and then, having business in Venice, left me to my task. It was by no means an easy one. To a skilled hand it would have been, perhaps, the work of half-an-hour; but it was my first effort, and rude as the thing was—a mere grooved attempt at a Latin cross, about two inches and a half in length, cut close down at the bottom of the stone, where it could be easily concealed by a little piling of the sand—it took me nearly four hours to complete. While I was at work, the dull grey morning grew duller and greyer; a thick sea-fog drove up from the Adriatic; and a low moaning wind came and went like the echo of a distant requiem. More than once I started, believing that she had surprised me there—fancying I saw the passing of a shadow—heard the rustling of a garment—the breathing of a sigh. But no. The mists and the moaning wind deceived me. I was alone.
When at length I got back to my hotel, it was just two o'clock. The hall-porter put a letter into my hand as I passed through. One glance at that crabbed superscription was enough. It was from Padua. I hastened to my room, tore open the envelope, and read these words:—
"Caro Signore,—The rubbing you send is neither ancient nor curious, as I fear you suppose it to be. It is a thing of yesterday. It merely records that one Salome, the only and beloved child of a certain Isaac Da Costa, died last Autumn on the eighteenth of October, aged twenty-one years, and that by the said Isaac Da Costa this monument is erected to the memory of her virtues and his grief.
"I pray you, caro signore, to receive the assurance of my sincere esteem.
"Nicolo Nicolai."
The letter dropped from my hand. I seemed to have read without understanding it. I picked it up; went through it again, word by word; sat down; rose up; took a turn across the room; felt confused, bewildered, incredulous.
Could there, then, be two Salomes? or was there some radical and extraordinary mistake?