The dress of the king is very rich in color; the mitershaped casque being of a vivid cobalt-blue[134] picked out with gold color; the belt, necklace, armlets, and bracelets, of gold, studded apparently with precious stones; the apron, green and gold. Over the king’s head hovers the sacred vulture, emblem of Maut, holding in her claws a kind of scutcheon upon which is depicted the crux ansata.
SOUTH WALL.
The subjects represented on this wall are as follows:
1. Rameses, life-size, presiding over a table of offerings. The king wears upon his head the klaft, or head-cloth, striped gold and white and decorated with the uræus. The table is piled in the usual way with flesh, fowl and flowers. The surface being here quite perfect, the details of these objects are seen to be rendered with surprising minuteness. Even the tiny black feather-stumps of the plucked geese are given with the fidelity of Chinese art; while a red gash in the breast of each shows in what way it was slain for the sacrifice. The loaves are shaped precisely like the so-called “cottage loaves” of to-day and have the same little depression in the top, made by the baker’s finger. Lotus and papyrus blossoms in elaborate bouquet-holders crown the pile.
2. Two tripods of light and elegant design, containing flowers.
3. The bari, or sacred boat, painted gold-color, with the usual veil half-drawn across the naos, or shrine; the prow of the boat being richly carved, decorated with the uta[135] or symbolic eye and preceded by a large fan of ostrich feathers. The boat is peopled with small black figures, one of which kneels at the stern; while a sphinx couchant, with black body and human head, keeps watch at the prow. The sphinx symbolizes the king.
On this wall, in a space between the sacred boat and the figure of Rameses occurs the following inscription, sculptured in high relief and elaborately colored:
