The sheik of the cataract is our captain, and his men are our sailors to-day; Reïs Hassan and the crew having only to sit still and look on. The shellalees, meanwhile, row swiftly and steadily. Already the river seems to be running faster than usual; already the current feels stronger under our keel. And now, suddenly, there is sparkle and foam on the surface yonder—there are rocks ahead; rocks to right and left; eddies everywhere. The sheik lays down his pipe, kicks off his shoes, and goes himself to the prow. His second in command is stationed at the top of the stairs leading to the upper deck. Six men take the tiller. The rowers are re-enforced, and sit two to each oar.

In the midst of these preparations, when everybody looks grave and even the Arabs are silent, we all at once find ourselves at the mouth of a long and narrow strait—a kind of ravine between two walls of rock—through which, at a steep incline, there rushes a roaring mass of waters. The whole Nile, in fact, seems to be thundering in wild waves down that terrible channel.

It seems, at first sight, impossible that any dahabeeyah should venture that way and not be dashed to pieces. Neither does there seem room for boats and oars to pass. The sheik, however, gives the word—his second echoes it—the men at the helm obey. They put the dahabeeyah straight at that monster mill-race. For one breathless second we seem to tremble on the edge of the fall. Then the Philæ plunges in headlong!

We see the whole boat slope down bodily under our feet. We feel the leap—the dead fall—the staggering rush forward. Instantly the waves are foaming and boiling up on all sides, flooding the lower deck and covering the upper deck with spray. The men ship their oars, leaving all to helm and current; and, despite the hoarse tumult, we distinctly hear those oars scrape the rocks on either side.

Now the sheik, looking for the moment quite majestic, stands motionless with uplifted arm; for at the end of the pass there is a sharp turn to the right—as sharp as a street corner in a narrow London thoroughfare. Can the Philæ, measuring one hundred feet from stem to stern, ever round that angle in safety? Suddenly, the uplifted arm is waved—the sheik thunders “Daffet!” (“helm”)—the men, steady and prompt, put the helm about—the boat, answering splendidly to the word of command, begins to turn before we are out of the rocks; then, shooting round the corner at exactly the right moment, comes out safe and sound, with only an oar broken!

Great is the rejoicing. Reïs Hassan, in the joy of his heart, runs to shake hands all round; the Arabs burst into a chorus of “Taibs” and “Salames;” and Talhamy, coming up all smiles, is set upon by half a dozen playful shellalees, who snatch his keffîyeh from his head and carry it off as a trophy. The only one unmoved is the sheik of the cataract. His momentary flash of energy over, he slouches back with the old stolid face; slips on his shoes; drops on his heels; lights his pipe; and looks more like an owl than ever.

We had fancied till now that the cataract Arabs for their own profit and travelers for their own glory had grossly exaggerated the dangers of the Big Bab. But such is not the case. The Big Bab is in truth a serious undertaking; so serious that I doubt whether any English boatman would venture to take such a boat down such a rapid and between such rocks as the shellalee Arabs took the Philæ that day.

All dahabeeyahs, however, are not so lucky. Of thirty-four that shot the fall this season, several had been slightly damaged and one was so disabled that she had to lie up at Assûan for a fortnight to be mended. Of actual shipwreck, or injury to life and limb, I do not suppose there is any real danger. The shellalees are wonderfully cool and skillful and have abundant practice. Our painter, it is true, preferred rolling up his canvases and carrying them round on dry land by way of the desert; but this was a precaution that neither he nor any of us would have dreamed of taking on account of our own personal safety. There is, in fact, little, if anything, to fear; and the traveler who foregoes the descent of the cataract foregoes a very curious sight and a very exciting adventure.

At Assûan we bade farewell to Nubia and the blameless Ethiopians and found ourselves once more traversing the Nile of Egypt. If instead of five miles of cataract we had crossed five hundred miles of sea or desert, the change could not have been more complete. We left behind us a dreamy river, a silent shore, an ever-present desert. Returning, we plunged back at once into the midst of a fertile and populous region. All day long, now, we see boats on the river; villages on the banks; birds on the wing; husbandmen on the land; men and women, horses, camels and asses, passing perpetually to and fro on the towing-path. There is always something moving, something doing. The Nile is running low and the shâdûfs—three deep, now—are in full swing from morning till night. Again the smoke goes up from clusters of unseen huts at close of day. Again we hear the dogs barking from hamlet to hamlet in the still hours of the night. Again, toward sunset, we see troops of girls coming clown to the river side with their water-jars on their heads. Those Arab maidens, when they stand with garments tightly tucked up and just their feet in the water, dipping the goolah at arm’s length in the fresher gush of the current, almost tempt one’s pencil into the forbidden paths of caricature.

Kom Ombo is a magnificent torso. It was as large once as Denderah—perhaps larger; for, being on the same grand scale, it was a double temple and dedicated to two gods, Horus and Sebek;[175] the hawk and the crocodile. Now there remain only a few giant columns, buried to within eight or ten feet of their gorgeous capitals; a superb fragment of architrave; one broken wave of sculptured cornice and some fallen blocks graven with the names of Ptolemies and Cleopatras.