A few years later, and the Rue de l'Ancienne Comédie echoed daily and nightly to the dull rumble of Revolutionary tumbrils, and the heavy tramp of Revolutionary mobs. Danton and Camille Desmoulins must have passed through it habitually on their way to the Revolutionary Tribunal. Charlotte Corday (and this is a matter of history) did pass through it that bright July evening, 1793, on her way to a certain gloomy house still to be seen in the adjoining Rue de l'École de Médecine, where she stabbed Marat in his bath.

But throughout every vicissitude of time and politics, though fashion deserted the Rue de l'Ancienne Comédie, and actors migrated, and fresh generations of wits and philosophers succeeded each other, the Café Procope still held its ground and maintained its ancient reputation. The theatre (closed in less than a century) became the studio first of Gros and then of Gérard, and was finally occupied by a succession of restaurateurs but the Café Procope remained the Café Procope, and is the Café Procope to this day.

The old street and all belonging to it--especially and peculiarly the Café Procope---was of the choicest Quartier Latin flavor in the time of which I write; in the pleasant, careless, impecunious days of my youth. A cheap and highly popular restaurateur named Pinson rented the old theatre. A costumier hung out wigs, and masks, and débardeur garments next door to the restaurateur. Where the fatal tumbril used to labor past, the frequent omnibus now rattled gayly by; and the pavements trodden of old by Voltaire, and Beaumarchais, and Charlotte Corday, were thronged by a merry tide of students and grisettes. Meanwhile the Café Procope, though no longer the resort of great wits and famous philosophers, received within its hospitable doors, and nourished with its indifferent refreshments, many a now celebrated author, painter, barrister, and statesman. It was the general rendezvous for students of all kinds--poets of the École de Droit, philosophers of the École de Médecine, critics of the École des Beaux Arts. It must however be admitted that the poetry and criticism of these future great men was somewhat too liberally perfumed with tobacco, and that into their systems of philosophy there entered a considerable element of grisette.

Such, at the time of my first introduction to it, was the famous Café Procope.


CHAPTER XXIX.

THE PHILOSOPHY OF BREAKFAST.

"Now this, mon cher," said Müller, taking off his hat with a flourish to the young lady at the comptoir, "is the immortal Café Procope."

I looked round, and found myself in a dingy, ordinary sort of Café, in no wise differing from any other dingy, ordinary sort of Café in that part of Paris. The decorations were ugly enough to be modern. The ceiling was as black with gas-fumes and tobacco smoke as any other ceiling in any other estaminet in the Quartier Latin. The waiters looked as waiters always look before midday--sleepy, discontented, and unwashed. A few young men of the regular student type were scattered about here and there at various tables, reading, smoking, chatting, breakfasting, and reading the morning papers. In an alcove at the upper end of the second room (for there were two, one opening from the other) stood a blackened, broken-nosed, plaster bust of Voltaire, upon the summit of whose august wig some irreverent customer had perched a particularly rakish-looking hat. Just in front of this alcove and below the bust stood a marble-topped table, at one end of which two young men were playing dominoes to the accompaniment of the matutinal absinthe.

"And this," said Müller, with another flourish, "is the still more immortal table of the still more supremely immortal Voltaire. Here he was wont to rest his sublime elbows and sip his demi-tasse. Here, upon this very table, he wrote that famous letter to Marie Antoinette that Fréron stole, and in revenge for which he wrote the comedy called l'Ecossaise; but of this admirable satire you English, who only know Voltaire in his Henriade and his history of Charles the Twelfth, have probably never heard till this moment! Eh bien! I'm not much wiser than you--so never mind. I'll be hanged if I've ever read a line of it. Anyhow, here is the table, and at this other end of it we'll have our breakfast."