And what a book-shop it is! Not only are its windows filled--not only are its walls a very perspective of learning--but square pillars of volumes are built up on either side of the door, and an immense supplementary library is erected in the open air, down all the length of a dead-wall adjoining the house.
Here then I pause, turning over the leaves of one volume, reading the title of another, studying the personal appearance of a third, and weighing the merits of their authors against the contents of my purse. And when I say "personal appearance," I say it advisedly; for book-hunters, are skilled Lavaters in their way, and books, like men, attract or repel at first sight. Thus it happens that I love a portly book, in a sober coat of calf, but hate a thin, smart volume, in a gaudy binding. The one promises to be philosophic, learnedly witty, or solidly instructive; the other is tolerably certain to be pert and shallow, and reminds me of a coxcombical lacquey in bullion and red plush. On the same principle, I respect leaves soiled and dog's-eared, but mistrust gilt edges; love an old volume better than a new; prefer a spacious book-stall to all the unpurchased stores of Paternoster Row; and buy every book that I possess at second-hand. Nay, that it is second-hand is in itself a pass port to my favor. Somebody has read it before; therefore it is readable. Somebody has derived pleasure from it before; therefore I open it with a student's sympathy, and am disposed to be indulgent ere I have perused a single line. There are cases, however, in which I incline to luxury of binding. Just as I had rather have my historians in old calf and my chroniclers in black letter, so do I delight to see my modern poets, the Benjamins of my affections, clothed in coats of many colors. For them no moroccos are too rich, and no "toolings" too elaborate. I love to see them smiling on me from the shelves of my book-cases, as glowing and varied as the sunset through a painted oriel.
Standing here, then, to-day, dipping first into this work and then into that, I light upon a very curious and interesting edition of Froissart--an edition full of quaint engravings, and printed in the obsolete spelling of two hundred years ago. The book is both a treasure and a bargain, being marked up at five and twenty francs. Only those who haunt book-stalls and luxuriate in old editions can appreciate the satisfaction with which I survey
"That weight of wood, with leathern coat overlaid,
Those ample clasps of solid metal made,
The close pressed leaves unclosed for many an age,
The dull red edging of the well-filled page,
And the broad back, with stubborn ridges roll'd,
Where yet the title stands in tarnished gold!"
They only can sympathize in the eagerness with which I snatch up the precious volume, the haste with which I count out the five and twenty francs, the delight with which I see the dealer's hand close on the sum, and know that the book is legally and indisputably mine! Then how lovingly I embrace it under my arm, and taking advantage of my position as a purchaser, stroll leisurely round the inner warehouse, still courting that literary world which (in a library at least) always turns its back upon its worshipper!
"Pray, Monsieur," says a gentle voice at the door, "where is that old Froissart that I saw outside about a quarter of an hour ago?"
"Just sold, Madame," replies the bookseller, promptly.
"Oh, how unfortunate!--and I only went home for the money" exclaims the lady in a tone of real disappointment.
Selfishly exultant, I hug the book more closely, turn to steal a glance at my defeated rival, and recognise--Mademoiselle Dufresnoy.
She does not see me. I am standing in the inner gloom of the shop, and she is already turning away. I follow her at a little distance; keep her in sight all the way home; let her go into the house some few seconds in advance; and then, scaling three stairs at a time, overtake her at the door of her apartment.